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The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the \"Institute of Snap!thology,\" where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.","\u002FwbrcRd695aB8D6pkWh0hSurKRbO.jpg",[13],2.7744,"1990-03-16",6.651,{"adult":8,"backdrop_path":411,"id":412,"title":413,"original_title":413,"overview":414,"poster_path":415,"media_type":278,"original_language":42,"genre_ids":416,"popularity":417,"release_date":418,"softcore":8,"video":8,"vote_average":419,"vote_count":365},"\u002FxInsWlhJOnjlMctluVQ5snGZm0k.jpg",448446,"Gilbert","The life and career of one of comedy's most inimitable modern voices, Mr. Gilbert Gottfried.","\u002FbixUm35DzCtiapbS8UjGzWCbhij.jpg",[13],1.871,"2017-04-20",6.708,{"adult":8,"backdrop_path":421,"id":422,"title":423,"original_title":423,"overview":347,"poster_path":424,"media_type":278,"original_language":42,"genre_ids":425,"popularity":426,"release_date":427,"softcore":8,"video":8,"vote_average":428,"vote_count":429},"\u002Fk5KUDSvYbxKzcE9zdkixvQ0qLkb.jpg",20565,"42 Up","\u002FhJAYtr8CvnYBBZJlpdYvUMRWNCl.jpg",[13],2.6226,"1999-11-17",7.563,56,{"adult":8,"backdrop_path":431,"id":432,"title":433,"original_title":433,"overview":434,"poster_path":435,"media_type":278,"original_language":42,"genre_ids":436,"popularity":437,"release_date":438,"softcore":8,"video":8,"vote_average":439,"vote_count":440},"\u002Fhl7b32TWdR5rIfhN9rACdwyscIk.jpg",393443,"Extremis","Lekarze, rodziny i pacjenci ze szpitalnego oddziału intensywnej terapii muszą dokonywać bolesnych i trudnych wyborów, przed którymi nikt z nas nie chciałby stanąć.","\u002F1vDbsnL2601o6fyrNlXHu0wWP1.jpg",[13],1.4107,"2016-04-17",6.933,90,{"adult":8,"backdrop_path":442,"id":443,"title":444,"original_title":445,"overview":446,"poster_path":447,"media_type":278,"original_language":42,"genre_ids":448,"popularity":449,"release_date":450,"softcore":8,"video":8,"vote_average":219,"vote_count":451},"\u002Fk4MZdogt1DZX0b2tlkr17EFUvP5.jpg",1461714,"Moja mama Jayne","My Mom Jayne","Aktorka nagrodzona Emmy i Złotym Globem, Mariska Hargitay, zagłębia się w historię iswojej matki, Jayne Mansfield, prawie 60 lat po jej śmierci.","\u002FdDFiC8EaDec6C8f5E3ctF6K87sa.jpg",[13],3.733,"2025-06-20",54,{"adult":8,"backdrop_path":453,"id":454,"title":455,"original_title":456,"overview":457,"poster_path":458,"media_type":278,"original_language":42,"genre_ids":459,"popularity":460,"release_date":461,"softcore":8,"video":8,"vote_average":462,"vote_count":463},"\u002FqTofO8swHYG9Dw0wE2UwbaJpuNl.jpg",42314,"Sposób na Szekspira","Looking for Richard","Al Pacino przygotowuje się do wystawienia sztuki Williama Szekspira, w której sam gra główną rolę.\r Film o realizacji filmu. Znany aktor amerykański przygotowuje adaptację sztuki Szekspira \"Ryszard III\". Dyskutuje z historykami literatury, aktorami, reżyserami. Stopniowo rodzi się koncepcja filmu, który mógłby zainteresować przeciętnego amerykańskiego widza.","\u002F2iEgEoMP1S2YWKkYkwm8cgg2bBN.jpg",[13],2.0369,"1996-10-11",6.791,151,{"adult":8,"backdrop_path":465,"id":466,"title":467,"original_title":467,"overview":468,"poster_path":469,"media_type":278,"original_language":42,"genre_ids":470,"popularity":471,"release_date":472,"softcore":8,"video":8,"vote_average":160,"vote_count":473},"\u002FnKqPwRYh5muLul3cN6zni0fJs11.jpg",20561,"28 Up","Just two years away from turning 30, participants in Michael Apted's documentary series are facing serious questions of identity and purpose, wondering whether they've found their place in the world.","\u002F1MR6M5bX9r9HNf5SCWP9MRrEm8P.jpg",[13],2.1882,"1984-11-20",76,{"adult":8,"backdrop_path":9,"id":475,"title":476,"original_title":476,"overview":477,"poster_path":478,"media_type":278,"original_language":42,"genre_ids":479,"popularity":480,"release_date":481,"softcore":8,"video":8,"vote_average":482,"vote_count":483},325365,"Dawg Fight","In a crime-plagued neighborhood near Miami, brutal, bare-knuckled backyard fights give young men a chance to earn money -- and self-respect.","\u002Fthgvd0tjDLJvTVx4BaZjfQAC7yK.jpg",[13],3.1602,"2015-03-13",6.408,49,{"adult":8,"backdrop_path":485,"id":486,"title":487,"original_title":487,"overview":488,"poster_path":489,"media_type":278,"original_language":42,"genre_ids":490,"popularity":491,"release_date":492,"softcore":8,"video":8,"vote_average":493,"vote_count":399},"\u002Fkwccaxm4rN5eVVZzkRIkac8Lba9.jpg",376534,"Cameraperson","As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.","\u002Fp1Od99QxnzCB9vKu9uxkZQlPZQ5.jpg",[13],2.444,"2016-09-09",6.726,32,638]