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The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 \"Mon ami, mon amour (My friend, my lover)\". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. 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The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.","\u002FhJAYtr8CvnYBBZJlpdYvUMRWNCl.jpg",[14],2.5719,"1999-11-17",7.563,56,{"adult":8,"backdrop_path":251,"id":252,"title":253,"original_title":254,"overview":255,"poster_path":256,"media_type":163,"original_language":164,"genre_ids":257,"popularity":258,"release_date":259,"softcore":8,"video":8,"vote_average":260,"vote_count":33},"\u002F8Bcm0qBnS6yjwTFad8eI6thzRub.jpg",869250,"Być jak James Bond","Being James Bond","Szczere wspomnienia Daniela Craiga z jego 15-letniej przygody z rolą Jamesa Bonda. W materiale Craig dzieli się swoimi osobistymi wspomnieniami w rozmowie z producentami 007: Michaelem G. Wilsonem i Barbarą Broccoli. Produkcja zawiera także niepublikowane nigdy wcześniej archiwalne nagrania z filmów o Jamesie Bondzie, począwszy od „Casino Royale” aż do „Nie czas umierać”.","\u002FkKG9gieki5wgEcVXLfnX1lbOcrO.jpg",[14],3.2915,"2021-08-29",7.789,{"adult":8,"backdrop_path":262,"id":263,"title":264,"original_title":265,"overview":266,"poster_path":267,"media_type":163,"original_language":164,"genre_ids":268,"popularity":269,"release_date":270,"softcore":8,"video":8,"vote_average":271,"vote_count":272},"\u002Fx0FZZWBE7Sp5Vz5ncn4wb8JyG5c.jpg",1400780,"Chodź, zobacz mnie w dobrym świetle","Come See Me in the Good Light","W intymnej i radosnej opowieści o miłości w obliczu straty, poetki Andrea Gibson i Megan Falley odnajdują siłę, a także nieoczekiwany humor, w być może swoim ostatnim roku razem.","\u002FcxtxtluzgdCbf1fpri5QpkiCLZ7.jpg",[14],4.4175,"2025-11-14",7.214,42,{"adult":8,"backdrop_path":274,"id":275,"title":276,"original_title":276,"overview":277,"poster_path":278,"media_type":163,"original_language":164,"genre_ids":279,"popularity":280,"release_date":281,"softcore":8,"video":8,"vote_average":282,"vote_count":283},"\u002F8Tvq2tkvr8LslXJpwjWPEap4BNa.jpg",97049,"Tongues Untied","Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. 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