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Całość uzupełnia czytany przez Michela Bouqueta komentarz autorstwa francuskiego poety, więźnia Mauthausen Jeana Cayrola.","\u002F2iWYQia8enOai7QEO3TvenleD7r.jpg",[14,17],3.5155,"1956-05-22",8.3,582,{"adult":8,"backdrop_path":280,"id":281,"title":282,"original_title":283,"overview":284,"poster_path":285,"media_type":183,"original_language":53,"genre_ids":286,"popularity":288,"release_date":289,"softcore":8,"video":8,"vote_average":290,"vote_count":291},"\u002F86XAOhMI1hq9cNz3ZivGJ9BlJHR.jpg",31688,"Sowiecka historia","Padomju stāsts","Kontrowersyjny dokument Edvinsa Snore'a opowiada o sowieckim aparacie terroru oraz współpracy między Związkiem Radzieckim i Trzecią Rzeszą przed rokiem 1941. Produkcję sponsorowała Unia na rzecz Europy Narodów. Film to przede wszystkim seria wywiadów z zachodnimi i rosyjskimi historykami takimi jak Norman Davies czy Boris Sokolow, rosyjskim pisarzem Wiktorem Suworowem, dysydentem Vladimirem Bukovskim, członkami Parlamentu Europejskiego, jak również współtwórcami i ofiarami sowieckiego reżimu. Obraz Snore'a wskazuje na bliskie światopoglądowe, polityczne oraz organizacyjne podobieństwa między nazistowskimi Niemcami a ZSRR przed i we wczesnym stadium II wojny światowej. 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Claude Lanzmann rozmawiał z ludźmi, którym udało się przeżyć Holokaust, ze świadkami tamtych wydarzeń, a także z tymi, którzy przyczynili się do ludobójstwa. 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