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Produkcję sponsorowała Unia na rzecz Europy Narodów. Film to przede wszystkim seria wywiadów z zachodnimi i rosyjskimi historykami takimi jak Norman Davies czy Boris Sokolow, rosyjskim pisarzem Wiktorem Suworowem, dysydentem Vladimirem Bukovskim, członkami Parlamentu Europejskiego, jak również współtwórcami i ofiarami sowieckiego reżimu. Obraz Snore'a wskazuje na bliskie światopoglądowe, polityczne oraz organizacyjne podobieństwa między nazistowskimi Niemcami a ZSRR przed i we wczesnym stadium II wojny światowej. 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It caught the public imagination which met the spirit of the times, even as the self-appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. 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