[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-beyond-december-6-1991":3,"movie-beyond-december-6-1991-pl":7},{"id":4,"title":5,"year":6},1257741,"Beyond December 6","1991",{"adult":8,"backdrop_path":9,"belongs_to_collection":10,"budget":11,"genres":12,"homepage":16,"id":4,"imdb_id":10,"origin_country":17,"original_language":19,"original_title":20,"overview":21,"popularity":22,"poster_path":23,"production_companies":24,"production_countries":29,"release_date":32,"revenue":11,"runtime":33,"softcore":8,"spoken_languages":34,"status":35,"tagline":16,"title":20,"video":8,"vote_average":11,"vote_count":11,"watch\u002Fproviders":36,"videos":46,"credits":48,"recommendations":70,"similar":308},false,"\u002FmPWwBh9WuetQt2UGo8aZA4o4dzb.jpg",null,0,[13],{"id":14,"name":15},99,"Dokumentalny","",[18],"CA","fr","Au-delà du 6 décembre","One year after the tragedy that took the lives of fourteen female students, Montreal’s École Polytechnique has returned to something resembling normalcy. Nathalie Provost is a survivor of the shooting at the engineering school. Today, with friends, she opens up. About the tragedy, about feminism. About racism and sexism. About the fact that society has difficulty accepting difference. 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Dziennikarz i fotograf upamiętniają ofiary szkolnych strzelanin, odwiedzając ich puste pokoje.","\u002FajOXPpgh96rxxaHqqQCoxPP6dH5.jpg","movie","en",[14],3.6863,"2025-08-31",7.242,64,{"adult":8,"backdrop_path":88,"id":89,"title":90,"original_title":91,"overview":92,"poster_path":93,"media_type":80,"original_language":81,"genre_ids":94,"popularity":97,"release_date":98,"softcore":8,"video":8,"vote_average":99,"vote_count":100},"\u002F1u03hsF4PIT5HcM1b5oyRQvYjeV.jpg",381028,"Wieża","Tower","1 sierpnia 1966 roku – dzień, który wstrząsnął amerykańskim społeczeństwem. Nieznany mężczyzna wjechał windą na ostatnie piętro wieży Uniwersytetu w Teksasie i zaczął mierzyć z ostrej broni do ludzi zgromadzonych. Strzelał bez ostrzeżenia. Incydent – pierwsza strzelanina tego typu w USA – trwał niecałe sto minut. Zginęło 16 osób, ponad 30 zostało rannych. W \"Wieży\" Keith Maitland wraca do tych dramatycznych wydarzeń, opierając się na relacjach świadków – rannych, ratowników, policjantów. 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Jednym z najbardziej wstrząsających epizodów jest historia ciężarnej Claire Wilson – pierwszej postrzelonej osoby, która przetrwała tylko dzięki obecności tajemniczej nieznajomej.","\u002FsYau8BFtkQUMWDyRbpACru4cS6G.jpg",[95,96,14],16,80,1.8923,"2016-03-13",7.63,208,{"adult":8,"backdrop_path":102,"id":103,"title":104,"original_title":105,"overview":106,"poster_path":107,"media_type":80,"original_language":19,"genre_ids":108,"popularity":109,"release_date":110,"softcore":8,"video":8,"vote_average":111,"vote_count":112},"\u002Fsera0zxXBfTtKuwacI6Rx7rbSWB.jpg",277677,"Uncle Yanco","Oncle Yanco","While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed \"Yanco\". This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. 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dokumentalny ukazujący okoliczności, w jakich tysiące zwykłych Niemców z nazistowskich batalionów śmierci dokonało koszmarnych zbrodni podczas Holokaustu.",1.7107,"\u002FeFvcaOZtYgYH8spEzfuZ6qDQ1nS.jpg","2022-01-25",7.4,48,{"adult":8,"backdrop_path":325,"genre_ids":326,"id":328,"title":329,"original_language":81,"original_title":330,"overview":16,"popularity":331,"poster_path":332,"release_date":333,"softcore":8,"video":8,"vote_average":334,"vote_count":335},"\u002F70uUnpfe7en9x011UjpZoub101l.jpg",[14,327],18,1430,"Zabawy z bronią","Bowling for Columbine",3.1941,"\u002F4XsiTsZcNCRSkee1o0fdr5OqYRT.jpg","2002-10-09",7.516,1737,{"adult":8,"backdrop_path":337,"genre_ids":338,"id":340,"title":341,"original_language":19,"original_title":341,"overview":16,"popularity":342,"poster_path":343,"release_date":344,"softcore":8,"video":8,"vote_average":345,"vote_count":346},"\u002FoT8LUQZJ1aNzLDAB1ttGH0jO0SD.jpg",[14,339],10770,1582317,"Je vais te 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