[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-a-puddle-of-water-held-in-shape-by-my-thoughts-2024":3,"movie-a-puddle-of-water-held-in-shape-by-my-thoughts-2024-pl":7},{"id":4,"title":5,"year":6},1602045,"A puddle of water held in shape by my thoughts","2024",{"adult":8,"backdrop_path":9,"belongs_to_collection":10,"budget":11,"genres":12,"homepage":16,"id":4,"imdb_id":10,"origin_country":17,"original_language":19,"original_title":5,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":24,"release_date":27,"revenue":11,"runtime":28,"softcore":8,"spoken_languages":29,"status":32,"tagline":16,"title":5,"video":8,"vote_average":11,"vote_count":11,"watch\u002Fproviders":33,"videos":35,"credits":37,"recommendations":61,"similar":295},false,"\u002Feyg8cBcKvzrGryXDDtoub1R8kLC.jpg",null,0,[13],{"id":14,"name":15},99,"Dokumentalny","",[18],"NL","xx","\"Water reflections are never static, its fluid form constantly plays with the light in new and totally unique ways. Trying to capture this process naturally leads to an imperfect representation. Embracing this, ‘a puddle of water held in shape by my thoughts’ plays with the materiality of the digital image with the border between digital grain and the movement of the water constantly blurring. This ongoing research project consists of clips recorded over the last two years. - During the Leaving Space exhibition (2024) the work was presented as an installation using an old LCD screen, a wash-stool and other spacial elements. 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Po \"Koyaanisqatsi\" (film zdobył nagrodę Los Angeles Film Critics Association), pokazującym szaleństwo świata i \"Powaqqatsi\", ukazującym życie w transformacji, powstała trzecia część \"Naqoyqatsi\" - świat w stanie wojny. \"Naqoyqatsi\" wykorzystuje oszałamiające wiązki obrazów oraz technikę by zaprezentować piękny i poruszający obraz rozwoju relacji ludzi z naturą i technologią.","\u002FbuDo6FcSlOVEQJomKB0IviNV0Do.jpg","movie","en",[14],1.5391,"2002-09-02",6.151,159,{"adult":8,"backdrop_path":78,"id":79,"title":80,"original_title":80,"overview":81,"poster_path":82,"media_type":70,"original_language":71,"genre_ids":83,"popularity":84,"release_date":85,"softcore":8,"video":8,"vote_average":86,"vote_count":87},"\u002Fvmqc6VqNknAjoHYJ1Hen1g9qtq2.jpg",18493,"Chronos","Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.","\u002FciGeeT92K7wMu8wAJntoizImwvG.jpg",[14],1.6236,"1985-05-10",7.522,91,{"adult":8,"backdrop_path":89,"id":90,"title":91,"original_title":92,"overview":93,"poster_path":94,"media_type":70,"original_language":71,"genre_ids":95,"popularity":96,"release_date":97,"softcore":8,"video":8,"vote_average":98,"vote_count":99},"\u002F8Bcm0qBnS6yjwTFad8eI6thzRub.jpg",869250,"Być jak James Bond","Being James Bond","Szczere wspomnienia Daniela Craiga z jego 15-letniej przygody z rolą Jamesa Bonda. 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W tym czasie pięknych osobistych przeżyć, bohaterka, jej bliscy, znajomi i inni mieszkańcy Aleppo zanurzeni są w sam środek zbrojnego konfliktu. 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Zobacz, jak pod wodzą reżyserki Deborah Chow ekipa filmowa kreuje nowych bohaterów i złoczyńców, którzy u boku kultowych postaci z filmowej sagi „Gwiezdne wojny” opowiadają nieznaną dotąd historię.","\u002FcVzS4shcBaAln3xa2TkzeWGTY0d.jpg",[14],5.9778,"2022-09-07",6.795,1022,{"adult":8,"backdrop_path":216,"id":217,"title":218,"original_title":218,"overview":219,"poster_path":220,"media_type":70,"original_language":71,"genre_ids":221,"popularity":222,"release_date":223,"softcore":8,"video":8,"vote_average":224,"vote_count":225},"\u002Fkwccaxm4rN5eVVZzkRIkac8Lba9.jpg",376534,"Cameraperson","As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. 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