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Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.",0.9876,"\u002FvjYrQd5yOxyzykvmAVfq1Xz9zYq.jpg",[24],{"id":25,"logo_path":26,"name":27,"origin_country":18},6104,"\u002FdQTIRYC5DMz9N4lZpCOfJQzONlq.png","Universal Production Partners",[29],{"iso_3166_1":18,"name":30},"Czech Republic","2020-02-13",[33],{"english_name":34,"iso_639_1":19,"name":35},"Czech","Český","Released",{"cast":38,"crew":39},[],[40,48,56,63,69,78,83,87,94,102],{"adult":8,"gender":41,"id":42,"known_for_department":43,"name":44,"original_name":44,"popularity":45,"profile_path":10,"credit_id":46,"department":43,"job":47},2,1350570,"Editing","Šimon 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with an obsession for neatness and cleanliness as a distinctive feature of the national culture in question seen from the perspective of a foreigner. The dream is not a nightmare only because the set it is dreamt into is the seashore of the mare nostrum, where the dreaming subject is perfectly at home. A homeland which she, in turn, in her more secret thus naïf dreams would dream of being cleaner and tidier as in the reality, especially in front of such beauty of nature. As is right and proper.",0.4962,"\u002Ff5O594YRdeKNwaCiPCKEabsg2sK.jpg","2018-08-27",{"adult":8,"backdrop_path":10,"genre_ids":143,"id":144,"title":145,"original_language":115,"original_title":145,"overview":146,"popularity":147,"poster_path":148,"release_date":149,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],1012726,"Proximities","Proximities focuses on the trope of the Malay Boy found in the works of Singaporean artist Cheong Soo Pieng (b. 1917-1983). It attempts to locate the Malay male in art history while unpacking underlying systems of power that have shaped and naturalised the understanding of difference.",0.4738,"\u002FzabzpaJCeSJUoJYPZM1LeBoAd6H.jpg","2022-01-11",{"adult":8,"backdrop_path":10,"genre_ids":151,"id":155,"title":156,"original_language":115,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[152,153,134,14,154],10402,10752,36,644758,"FUCK TV","After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.",1.5809,"\u002FjYt6l9hGmZlAWFYoeC9GT5JdWmU.jpg","2019-08-09",{"adult":8,"backdrop_path":162,"genre_ids":163,"id":164,"title":165,"original_language":166,"original_title":165,"overview":16,"popularity":167,"poster_path":168,"release_date":169,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002FxfE9GQFKx7STyeUGuUWK25fs3a.jpg",[14],646658,"El siglo de las luces","es",0.9296,"\u002FqUFJr9ZfplLGNxbaSIJIPyhqlQ6.jpg","2017-12-01",{"adult":8,"backdrop_path":10,"genre_ids":171,"id":172,"title":173,"original_language":115,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":8,"video":8,"vote_average":130,"vote_count":70},[14],650147,"Wintopia","IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.",1.1879,"\u002FzmQA1WCUVjvNQ2NEbGq1XTIfstp.jpg","2019-11-23",{"adult":8,"backdrop_path":10,"genre_ids":179,"id":180,"title":181,"original_language":115,"original_title":181,"overview":182,"popularity":183,"poster_path":10,"release_date":184,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],1226582,"Dark Blue Sky","A short film that only uses photos and intertitles, this visual scenario depicts the sky as the sun sets. 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Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. 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Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.",0.6594,"\u002F2N5DFKd1vm2bWjlfcEuzDDv4GTI.jpg","2025-04-04",{"adult":8,"backdrop_path":10,"genre_ids":238,"id":239,"title":240,"original_language":241,"original_title":240,"overview":242,"popularity":243,"poster_path":10,"release_date":244,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],1288886,"It was in the winter and you were born at the beginning of spring","ar","An ironic and touching moment between a mother and son shot in this short film by  Mahdi Baraghithi",0.4166,"2019-01-01",{"adult":8,"backdrop_path":10,"genre_ids":246,"id":247,"title":248,"original_language":115,"original_title":248,"overview":249,"popularity":250,"poster_path":251,"release_date":252,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],929090,"Sayonara Super 8","Pia Yona Massie's Sayonara Super 8 uses personal archival footage to ask questions about the fragile nature of memory, human relationships and the foibles of the medium itself.",0.8882,"\u002F4R844vQbe9pDM8APGj0C2a6p2Q8.jpg","2006-01-01",{"adult":8,"backdrop_path":10,"genre_ids":254,"id":255,"title":256,"original_language":115,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":260,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],355399,"The Machine That Killed Bad People","The Machine That Killed Bad People is about the cultural and political history of the Philippines leading up to the overthrow of President Ferdinand Marcos in 1986. It also addresses the role of electronic media in the struggle for power, and more broadly, American intervention in the Third World.  Using a structure that emulates the way television news programs construct meaning through fragmentation, the tape interweaves clips of Filipino activists and reporters, a fictional television anchorwoman and correspondent, commentary by independent filmmaker Trinh T. Minh-ha, Fagin's off-camera voice and script, and anonymous excerpts from commercial television.",0.5897,"\u002F4BZxiT9HFiaqL7rDxXIKDaTt203.jpg","1990-02-14",{"adult":8,"backdrop_path":262,"genre_ids":263,"id":264,"title":265,"original_language":137,"original_title":265,"overview":266,"popularity":267,"poster_path":268,"release_date":269,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002FbjtylvGvBmCPjmcNntsABiYFsvl.jpg",[14],1288822,"Dieter Roth. Solo Scenes. 1997-98","These 131 video monitors stacked in a grid present simultaneous, continuous footage of the German artist during the last year of his life. In this filmed diary-project that Dieter Roth executed while convalescing in Reykjavik and Basel, we see him not only working in his studio but also while he sleeps, bathes, and uses the bathroom. It is nearly impossible to pay attention to only one video without becoming distracted by an unexpected sound or movement coming from one of the many other screens. Each monitor broadcasts a different point in the artist's daily routine, while the gridlike arrangement of monitors reinforces a sense of order and chronology.",0.5676,"\u002FqxAbZsUcutKYjRcxx5PKQCV7F9X.jpg","1998-01-01",{"adult":8,"backdrop_path":10,"genre_ids":271,"id":272,"title":273,"original_language":115,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],1118160,"Mao Meets Muddy","Director Anthony Ramos joins his good friend, painter Frederick J. 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