[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-the-machine-that-killed-bad-people-1990":3,"movie-the-machine-that-killed-bad-people-1990-en":7},{"id":4,"title":5,"year":6},355399,"The Machine That Killed Bad People","1990",{"adult":8,"backdrop_path":9,"belongs_to_collection":9,"budget":10,"genres":11,"homepage":15,"id":4,"imdb_id":16,"origin_country":17,"original_language":19,"original_title":5,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":24,"release_date":25,"revenue":10,"runtime":26,"softcore":8,"spoken_languages":27,"status":28,"tagline":29,"title":5,"video":8,"vote_average":10,"vote_count":10,"videos":30,"credits":32,"similar":67,"watch\u002Fproviders":253,"recommendations":255},false,null,0,[12],{"id":13,"name":14},99,"Documentary","https:\u002F\u002Fwww.stevefagin.com\u002Fmachine","tt1930520",[18],"US","en","The Machine That Killed Bad People is about the cultural and political history of the Philippines leading up to the overthrow of President Ferdinand Marcos in 1986. 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Shot entirely on an iPhone 11 in a desolate Midwest laundromat, 108 spin documents the mechanics of impermanence. The film shifts from heavy turbulence to suspended repetition—not as a path to completion, but as a study of the loop itself. 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Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. 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Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.",0.7537,"\u002FbKP9GKb5jOWIqKG3zb6lWbOeBBa.jpg","2025-02-22",{"adult":8,"backdrop_path":9,"genre_ids":226,"id":227,"title":228,"original_language":19,"original_title":228,"overview":229,"popularity":230,"poster_path":231,"release_date":232,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],674352,"No Ordinary Protest","Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Karikis. The video section of the installation features seven-year-olds from Mayflower Primary School in East London discussing the novel's environmental themes.",0.8139,"\u002FmXQ54yHLBQCyMXjR1DKL71iWQ4E.jpg","2019-10-25",{"adult":8,"backdrop_path":234,"genre_ids":235,"id":236,"title":237,"original_language":19,"original_title":237,"overview":238,"popularity":239,"poster_path":240,"release_date":241,"softcore":8,"video":8,"vote_average":10,"vote_count":10},"\u002FwdJCtYXVnLEP92gZ4aCNwkrZHKD.jpg",[13],1624143,"Emerald ▣","A continuously running two-channel installation, presented on 9\" and 13\" CRT monitors atop pedestals and overlooked by a green Kit-Cat clock. The smaller CRT bears a painted green square and is framed by a pair of crossed silver opera gloves, at whose intersection rests a vintage push-puppet of two boxers sharing a single red stand. Together, the two monitors display distinct video collages interweaving footage from Emerald Square Mall and the strike during its 1989 construction with remixed interferences from Channel J's Emerald City TV (1976–1979), Huge Video's Heat in the Night (1989), Genet's Un Chant d'Amour (1950), various cigarette commercials, The Wizard of Oz (1939), and a performance of a mylar-clad entity wrapping one of the televisions in videotape. The work has most frequently circulated publicly through its primary video channel.",0.54,"\u002FaxYhXOIt2vKvyC81HdQn5rH6cUE.jpg","2025-07-19",{"adult":8,"backdrop_path":243,"genre_ids":244,"id":245,"title":246,"original_language":19,"original_title":246,"overview":247,"popularity":248,"poster_path":249,"release_date":250,"softcore":8,"video":8,"vote_average":86,"vote_count":39},"\u002FsXZyOSczqN46t7Dn5Q5tg1vUWVm.jpg",[13,166],825215,"Super Vario Birds","Bits and blocks are the home of the Super Vario Birds who are dancing to the 8bit symphony of Ludwig van Beethoven.",0.4523,"\u002FqoUyHfqP85bxIqOUd7ZOrYE77KF.jpg","2019-08-27",1001,20001,{"results":254},{},{"page":39,"results":256,"total_pages":474,"total_results":475},[257,269,280,291,302,313,324,336,347,357,368,379,390,400,410,421,431,442,453,464],{"adult":8,"backdrop_path":258,"id":259,"title":260,"original_title":260,"overview":261,"poster_path":262,"media_type":263,"original_language":19,"genre_ids":264,"popularity":265,"release_date":266,"softcore":8,"video":8,"vote_average":267,"vote_count":268},"\u002Fx0FZZWBE7Sp5Vz5ncn4wb8JyG5c.jpg",1400780,"Come See Me in the Good Light","In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.","\u002F5AFbcDGT78cLZTyHTSDBohczjuO.jpg","movie",[13],4.4646,"2025-11-14",7.214,42,{"adult":8,"backdrop_path":270,"id":271,"title":272,"original_title":272,"overview":273,"poster_path":274,"media_type":263,"original_language":19,"genre_ids":275,"popularity":276,"release_date":277,"softcore":8,"video":8,"vote_average":278,"vote_count":279},"\u002ForEVSaVSRNElwjB7GZI3vsOKMS9.jpg",961722,"Sidney","This revealing documentary honors the legendary Sidney Poitier—iconic actor, filmmaker, and civil rights activist. 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