[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-the-harem-of-madame-osmane-2000":3,"movie-the-harem-of-madame-osmane-2000-en":7},{"id":4,"title":5,"year":6},269642,"The Harem of Madame Osmane","2000",{"adult":8,"backdrop_path":9,"belongs_to_collection":10,"budget":11,"genres":12,"homepage":19,"id":4,"imdb_id":20,"origin_country":21,"original_language":25,"original_title":26,"overview":27,"popularity":28,"poster_path":29,"production_companies":30,"production_countries":41,"release_date":49,"revenue":11,"runtime":50,"softcore":8,"spoken_languages":51,"status":58,"tagline":19,"title":5,"video":8,"vote_average":59,"vote_count":60,"similar":61,"credits":281,"videos":705,"watch\u002Fproviders":707,"recommendations":709},false,"\u002FgAG41KPuhzAJ67h4bmbvB62NVkz.jpg",null,0,[13,16],{"id":14,"name":15},35,"Comedy",{"id":17,"name":18},18,"Drama","","tt0249568",[22,23,24],"FR","ES","MA","fr","Le harem de Mme Osmane","In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her.  The former member of the Resistance during the Independence War persists  in controlling the slightest moves of the households rather than struggle  against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane \"harem\" is about to collapse.",0.8494,"\u002FgTYF3eUowf8fv6V0tKxYF6H1y6q.jpg",[31,34,37],{"id":32,"logo_path":10,"name":33,"origin_country":19},23329,"Astoria Films",{"id":35,"logo_path":10,"name":36,"origin_country":22},23330,"Bloody Mary Productions",{"id":38,"logo_path":39,"name":40,"origin_country":22},22029,"\u002FasH5UhhC8dRUUExZKIis0Y3dyjy.png","Canal+ Horizons",[42,45,47],{"iso_3166_1":43,"name":44},"DZ","Algeria",{"iso_3166_1":22,"name":46},"France",{"iso_3166_1":23,"name":48},"Spain","2000-07-12",100,[52,55],{"english_name":53,"iso_639_1":54,"name":53},"English","en",{"english_name":56,"iso_639_1":25,"name":57},"French","Français","Released",6.136,11,{"page":62,"results":63,"total_pages":279,"total_results":280},1,[64,76,86,96,106,114,125,138,149,161,172,182,192,201,213,224,234,245,258,270],{"adult":8,"backdrop_path":65,"genre_ids":66,"id":68,"title":69,"original_language":54,"original_title":69,"overview":70,"popularity":71,"poster_path":72,"release_date":73,"softcore":8,"video":8,"vote_average":74,"vote_count":75},"\u002FtkCqS2vjnUZzXEUBeiLpled0PgK.jpg",[67,17],12,633297,"A Son of the Sahara","As a boy, Raoul is reared by an Arab tribe in Algerian Sahara. Years later, as a refined Europeanized gentleman, he falls in love with Barbara, an officer's daughter, who rejects him when she discovers his background. Affecting a raid, he captures her and then secretly buys her at a slave auction. When she is rescued by French troops, however, his ancestry is established and they find happiness together.",0.5957,"\u002Fye85ySy7r1UhjpiAhJRBJVr396e.jpg","1924-04-13",7.5,2,{"adult":8,"backdrop_path":10,"genre_ids":77,"id":78,"title":79,"original_language":80,"original_title":79,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":8,"video":8,"vote_average":85,"vote_count":62},[17],1201191,"Mimezrane","ar","A legend that begins with the magic words: \"Once upon a time.\" Once upon a time, there was a little girl nicknamed Mimezrane for her beauty and especially for her beautiful braids. She was beautiful but had strangely sad eyes. She was orphaned at a very young age. Her boyfriend and confidant was Hennouche, a mischievous little boy with big black eyes. They lived together a carefree childhood. Time passed. They grew up. Hennouche became a goat herder with a melodious voice; Mimezrane, for her part, became a washerwoman and, on occasion, a water carrier. Both accepted their fate without ever complaining. Yet, even in her poverty, Mimezrane was the most beautiful of all.",1.3529,"\u002FdfNk3mn1KS3UJF0mUE0FCRLEfZ5.jpg","2008-01-01",10,{"adult":8,"backdrop_path":87,"genre_ids":88,"id":90,"title":91,"original_language":25,"original_title":91,"overview":92,"popularity":93,"poster_path":94,"release_date":95,"softcore":8,"video":8,"vote_average":85,"vote_count":62},"\u002Fjab0epiHvQDUKTxMf0s7a0NgDlU.jpg",[14,89],10749,644099,"L'Obstacle","Algerian youth of the 1960s, straddling traditional South Mediterranean and Western culture and the desire for emancipation of younger generations to find true love.",1.9968,"\u002Fd3F4XjIMzLBkK5ZhYBqMRj6Tg6w.jpg","1965-01-01",{"adult":8,"backdrop_path":97,"genre_ids":98,"id":99,"title":100,"original_language":80,"original_title":101,"overview":102,"popularity":103,"poster_path":104,"release_date":105,"softcore":8,"video":8,"vote_average":85,"vote_count":62},"\u002FqShnGUAqunaNMrQQG8m9vlhULVU.jpg",[17],274965,"Wind from the South","Le Vent du Sud","Néfissa, a student in Algiers, returns to her village in the south in the summer. Her father wants her to marry the mayor but she wants to continue her studies. Confronting her father and the opinion of the villagers who do not understand her, she decides to flee to Algiers. The shepherd Rabah discovering her wounded and lost in the mountains, has her treated by her mother. In contact with Nefissa, Rabat becomes aware of his exploited condition and discovers the possibilities offered to him by the cooperatives of the agrarian revolution. The two young people will go through the decisive stage together which will allow them to escape obscurantism and exploitation. Based on the novel \"Le vent du sud\" by Abdelhamid Benahouga",2.2354,"\u002FcTU9MKcpDnfFaGX9CXPzLBjC7PI.jpg","1975-01-02",{"adult":8,"backdrop_path":10,"genre_ids":107,"id":108,"title":109,"original_language":54,"original_title":109,"overview":110,"popularity":111,"poster_path":112,"release_date":113,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[17],643835,"Nejma","Directed by Kamal Dehane",1.1315,"\u002FAkpCstfa5iS8rH6kC38KRwIZsee.jpg","1984-01-01",{"adult":8,"backdrop_path":10,"genre_ids":115,"id":116,"title":117,"original_language":25,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":8,"video":8,"vote_average":123,"vote_count":124},[17],273437,"Tale of an Encounter","Histoire d'une Rencontre","Two deaf and dumb children. She is the daughter of an American Oil engineer. He is the son of an Algerian farmer. They meet and manage to communicate, transcending all the cultural barriers that separate them.",0.8191,"\u002FiBz7m8hJo8zjPRJzeBFVImkIPam.jpg","1985-01-02",6.333,6,{"adult":8,"backdrop_path":126,"genre_ids":127,"id":129,"title":130,"original_language":25,"original_title":131,"overview":132,"popularity":133,"poster_path":134,"release_date":135,"softcore":8,"video":8,"vote_average":136,"vote_count":137},"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg",[17,128],99,273852,"The Zerda or the Songs of Forgetting","La Zerda ou les chants de l'oubli","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",0.4905,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,5,{"adult":8,"backdrop_path":139,"genre_ids":140,"id":142,"title":143,"original_language":80,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":8,"video":8,"vote_average":124,"vote_count":75},"\u002FengsqGg1S7YFSXnIAl4j0sdzeQJ.jpg",[141,17,128],36,1217365,"True Chronicles of the Blida Joinville Psychiatric Hospital in the Last Century, when Dr Frantz Fanon Was Head of the Fifth Ward between 1953 and 1956","Chroniques fidèles survenues au siècle dernier à l’hôpital psychiatrique Blida-Joinville, au temps où le Docteur Frantz Fanon était chef de la cinquième division entre 1953 et 1956","1953, colonized Algeria.  Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.",0.6133,"\u002F6Kp1WdRURYKWwDNxUkX1BA3GH1Y.jpg","2025-07-23",{"adult":8,"backdrop_path":150,"genre_ids":151,"id":153,"title":154,"original_language":25,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":8,"video":8,"vote_average":159,"vote_count":160},"\u002Frk0JRAkxRy0ABBiasvZucLQ0qlB.jpg",[17,152,89],80,26252,"Pépé le Moko","Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.",1.632,"\u002Fy6FTSnCSBVJVPa7M1LuVroLN0ag.jpg","1937-01-28",7.2,197,{"adult":8,"backdrop_path":162,"genre_ids":163,"id":165,"title":166,"original_language":80,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":8,"video":8,"vote_average":171,"vote_count":75},"\u002Fd95KMAxEtLTnKr54GT285aXZY5P.jpg",[17,141,164],10752,274155,"Noua","In Algeria in 1954, in a village in the Aurès region, poverty reigns over peasants enslaved by colonial administrators and Algerian landowners. Noua, in love with the son of a peasant dispossessed of his land, must be sold to a wealthy landowner.",1.4683,"\u002FicvsBh5XmO3uvfYAZkwfV3uPEJ2.jpg","1972-01-02",8.5,{"adult":8,"backdrop_path":173,"genre_ids":174,"id":175,"title":176,"original_language":25,"original_title":176,"overview":177,"popularity":178,"poster_path":179,"release_date":180,"softcore":8,"video":8,"vote_average":181,"vote_count":75},"\u002F5wbDqCRwm37OQsiVfffyE0U6VlE.jpg",[14,17],1232406,"Elli Fat Mat","27 years after 1962, Antoine returns to Algiers...",1.0449,"\u002FuJrl0WhX2DDtUQkIWmrxzUgLDKA.jpg","1989-11-15",9,{"adult":8,"backdrop_path":183,"genre_ids":184,"id":185,"title":186,"original_language":25,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":8,"video":8,"vote_average":171,"vote_count":75},"\u002FwsIi7JHV9at0pUh57Lxhd81BJQm.jpg",[17],291459,"The Law of My Country","La loi de mon pays","Algeria. Benjamin, Kateb and Antoine are three teenagers from three religious backgrounds who never should have met. But they share the same passion for football and the same disregard for the disapproving looks which their unusual friendship draws.",0.5389,"\u002Fq95gkERxlYRYtTJcXwZLzhciOqH.jpg","2012-07-03",{"adult":8,"backdrop_path":193,"genre_ids":194,"id":195,"title":196,"original_language":80,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":8,"video":8,"vote_average":85,"vote_count":62},"\u002F28HH3PTD8SBtzxpHTWUnWO6DfIz.jpg",[17],1239229,"Yasmina","\"Yasmina\" filmed in 1961 in the middle of the Algerian war tells the story of a little Algerian girl with her hen and her family whose father was killed in a bombing by the French colonial army of occupation. The family, after a long journey, heads towards the refugee camps on the Tunisian border. Produced by the Cinema Service of the Provisional Government of the Algerian Republic (GPRA) in the midst of the war of independence, these films were intended to re-inform the population and international public opinion on the abuses committed by the French colonial army: torture, arrests and arbitrary executions, napalm bombings, fires in douars, entire villages wiped off the map, etc. which the French media described as a \"pacification\" campaign. The latter censoring or reorienting any images that could harm the colonial narrative.",1.6047,"\u002FfwwnU8dtDn1t8zMSI1sC3lTjocE.jpg","1961-01-01",{"adult":8,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":25,"original_title":206,"overview":207,"popularity":208,"poster_path":209,"release_date":210,"softcore":8,"video":8,"vote_average":211,"vote_count":212},"\u002FmXFlIl2H3gdmMxHI018c2dppZo6.jpg",[17],664177,"DNA","ADN","A woman has a close bond with her beloved Algerian grandfather, who protected her from a toxic home life as a child; his death triggers a deep identity crisis as tensions between her extended family members escalate, revealing new depths of resentment and bitterness.",1.851,"\u002FeBuEbgoED3rko7EfgO29a4OqFK9.jpg","2020-12-10",5.937,167,{"adult":8,"backdrop_path":214,"genre_ids":215,"id":216,"title":217,"original_language":25,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":8,"video":8,"vote_average":222,"vote_count":223},"\u002Fr4HxtnEjUGZbGM4IPnoMFW1rR3e.jpg",[14],42913,"Beur Blanc Rouge","Le match France - Algérie vient chambouler le train-train de Brahim et Mouloud. Cet évènement va diviser les deux amis : Brahim revendique son identité algérienne, Mouloud fustige son refus de la France, pays qui les a vu grandir.",0.9206,"\u002Fb67lCN8bDcxx5jnssvEzPwK12GB.jpg","2006-05-17",4.615,13,{"adult":8,"backdrop_path":225,"genre_ids":226,"id":227,"title":228,"original_language":25,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":8,"video":8,"vote_average":85,"vote_count":62},"\u002FtsgvUDE0MXyeHKpFVPZONq5OWsV.jpg",[17],286129,"The Refusal","الرفض (Al-Raft)","In 1971, the Algerian government nationalized hydrocarbons. The consequences of this decision on the community of Algerians in France are numerous. The Galti family is prey to these economic problems. The father, Khaled, former member of the F.L.N. in France, does not escape the sentence. Sharazade, his wife and comrade in combat, finds herself torn between her role as wife, mother and nostalgia for a country and a bygone past. As for his son Karim, a victim of socio-cultural division, all he has left is refusal.",0.6588,"\u002FaJBsjR9FfUgdLadpOCyNYd9cJnM.jpg","1982-01-02",{"adult":8,"backdrop_path":235,"genre_ids":236,"id":237,"title":238,"original_language":25,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":8,"video":8,"vote_average":244,"vote_count":85},"\u002FxkMN6j6WYS0SsKRlmVag8nj2bEw.jpg",[17],297148,"The Olive Trees of Justice","Les Oliviers de la justice","The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.",0.6329,"\u002FnCONPbfpaAoJnFdJMBTIOyJDTJ3.jpg","1962-06-06",7.1,{"adult":8,"backdrop_path":246,"genre_ids":247,"id":249,"title":250,"original_language":25,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":8,"video":8,"vote_average":256,"vote_count":257},"\u002FqquykzwkEnLKyjlfFGp81otgZN5.jpg",[17,248],37,283362,"The Outlaws","Les Hors-La-Loi","In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.",0.8382,"\u002FbG6rzJSsK4mNnz4hBr85QWpKDk.jpg","1969-01-01",8,4,{"adult":8,"backdrop_path":259,"genre_ids":260,"id":261,"title":262,"original_language":25,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":8,"video":8,"vote_average":268,"vote_count":269},"\u002FuXPBBQlKDXVx8apISYh9KdrTEoa.jpg",[128,141,17],283013,"Dawn of the Damned","L'Aube des Damnés","This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.",0.7946,"\u002FlofBqYj9p4eefPAQlzrQ5d9SgHk.jpg","1965-07-05",7.429,7,{"adult":8,"backdrop_path":271,"genre_ids":272,"id":273,"title":274,"original_language":25,"original_title":274,"overview":275,"popularity":276,"poster_path":277,"release_date":278,"softcore":8,"video":8,"vote_average":85,"vote_count":62},"\u002Fck8E5Qtcs7nV46pspVclYcGuwEm.jpg",[128,17],482769,"Gerboise Bleue","\"Gerboise bleue\", the first French atomic test carried out on February 13, 1960 in the Algerian Sahara, is the starting point of France's nuclear power. These are powerful radioactive aerial shots carried out in areas belonging to the French army. Underground tests will follow, even after the independence of Algeria. From 1960 to 1978, 30,000 people were exposed in the Sahara. The French army was recognized recognized nine irradiations. No complaint against the army or the Atomic Energy Commission has resulted. Three requests for a commission of inquiry were rejected by the National Defense Commission. For the first time, the last survivors bear witness to their fight for the recognition of their illnesses, and revealed to themselves in what conditions the shootings took place. The director goes to the zero point of \"Gerboise Bleue\", forbidden access for 47 years by the Algerian authorities",1.7478,"\u002FoocBHmexdC0vQezLCITdVLMwG56.jpg","2009-02-11",1001,20001,{"cast":282,"crew":604},[283,291,298,306,315,323,331,337,344,350,356,364,371,378,386,394,402,409,416,423,430,435,443,451,459,466,471,480,489,495,501,508,512,519,524,529,535,541,547,553,558,565,571,576,581,586,591,596],{"adult":8,"gender":62,"id":284,"known_for_department":285,"name":286,"original_name":286,"popularity":287,"profile_path":288,"cast_id":269,"character":289,"credit_id":290,"order":11},583230,"Acting","Biyouna",0.8796,"\u002F7DhLQWvArI4K3T57Y8NtScuftYw.jpg","Meriem","53723e61c3a368434300124f",{"adult":8,"gender":62,"id":292,"known_for_department":285,"name":293,"original_name":293,"popularity":294,"profile_path":295,"cast_id":11,"character":296,"credit_id":297,"order":62},2744,"Carmen Maura",0.8803,"\u002FsXvr7BvxscBkYpGTcYjpqbzkUSH.jpg","Madama Osmane","53723ce6c3a368436e00117c",{"adult":8,"gender":75,"id":299,"known_for_department":285,"name":300,"original_name":300,"popularity":301,"profile_path":302,"cast_id":303,"character":304,"credit_id":305,"order":75},1026733,"Djemel Barek",0.6334,"\u002FbqZI1OlnvNQ9jgyWCCRpoVMC04H.jpg",30,"Sid Ali","670477811b96b8ef4c69b3cb",{"adult":8,"gender":62,"id":307,"known_for_department":285,"name":308,"original_name":308,"popularity":309,"profile_path":310,"cast_id":311,"character":312,"credit_id":313,"order":314},231607,"Andrée Damant",0.6353,"\u002F595T51UgSlLAsIfSpusTFtRGnD9.jpg",31,"Mrs. Costa","6704779b98df8ea0151d2de7",3,{"adult":8,"gender":62,"id":316,"known_for_department":285,"name":317,"original_name":317,"popularity":318,"profile_path":319,"cast_id":320,"character":321,"credit_id":322,"order":257},51502,"Afida Tahri",0.3491,"\u002FoTaVI3NlyplBYFLFeetqOzodxTf.jpg",32,"Kheira","670477ab2ae7eb9084bff5cb",{"adult":8,"gender":75,"id":324,"known_for_department":285,"name":325,"original_name":325,"popularity":326,"profile_path":327,"cast_id":328,"character":329,"credit_id":330,"order":137},552366,"Smaïl Mekki",0.8135,"\u002FsxYlgnolluCm01plHXAqpd5Q1IV.jpg",34,"Mimich","68ef844416678a15e707514b",{"adult":8,"gender":11,"id":332,"known_for_department":285,"name":333,"original_name":333,"popularity":334,"profile_path":10,"cast_id":257,"character":335,"credit_id":336,"order":124},1319205,"Myriam Amarouchene",0.3602,"Yasmine","53723d64c3a368436e001184",{"adult":8,"gender":11,"id":338,"known_for_department":285,"name":339,"original_name":339,"popularity":340,"profile_path":10,"cast_id":341,"character":342,"credit_id":343,"order":269},2961203,"Justine Mallier-Giraud",0.3637,33,"Kahina","670477c55c00a2d44ebff6b8",{"adult":8,"gender":11,"id":345,"known_for_department":285,"name":346,"original_name":346,"popularity":347,"profile_path":10,"cast_id":14,"character":348,"credit_id":349,"order":256},5750665,"Henryk Wodzinski",0.328,"M. 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