[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-the-funniest-thing-2019":3,"movie-the-funniest-thing-2019-en":7},{"id":4,"title":5,"year":6},621818,"The Funniest Thing","2019",{"adult":8,"backdrop_path":9,"belongs_to_collection":10,"budget":11,"genres":12,"homepage":19,"id":4,"imdb_id":10,"origin_country":20,"original_language":23,"original_title":5,"overview":24,"popularity":25,"poster_path":26,"production_companies":27,"production_countries":28,"release_date":31,"revenue":11,"runtime":32,"softcore":8,"spoken_languages":33,"status":36,"tagline":37,"title":5,"video":8,"vote_average":11,"vote_count":11,"credits":38,"videos":52,"similar":54,"watch\u002Fproviders":240,"recommendations":242},false,"\u002FfYF7RwVia2p09EI85R3qjzjc0Se.jpg",null,0,[13,16],{"id":14,"name":15},35,"Comedy",{"id":17,"name":18},99,"Documentary","",[21,22],"GB","US","en","The funniest thing happened to me the other day...",0.4649,"\u002FrttDKclXnSqep9du0T6VDUbMKWD.jpg",[],[29],{"iso_3166_1":21,"name":30},"United Kingdom","2019-04-22",1,[34],{"english_name":35,"iso_639_1":23,"name":35},"English","Released","Ever go down a google wormhole?",{"cast":39,"crew":48},[40],{"adult":8,"gender":11,"id":41,"known_for_department":42,"name":43,"original_name":43,"popularity":44,"profile_path":10,"cast_id":45,"character":46,"credit_id":47,"order":11},2381908,"Directing","Beth Fox",0.25,2,"Self","65ab8cba72d85500c1441668",[49],{"adult":8,"gender":11,"id":41,"known_for_department":42,"name":43,"original_name":43,"popularity":44,"profile_path":10,"credit_id":50,"department":42,"job":51},"5d4cae251b72940012d9bfa8","Director",{"results":53},[],{"page":32,"results":55,"total_pages":238,"total_results":239},[56,66,76,85,94,104,116,125,133,142,150,159,168,179,186,196,203,211,221,230],{"adult":8,"backdrop_path":10,"genre_ids":57,"id":59,"title":60,"original_language":23,"original_title":60,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":8,"video":8,"vote_average":65,"vote_count":32},[14,58],14,827179,"The Sad Robot","A dejected homemade robot wanders through a bright and sunny landscape, only to encounter some bad luck.",0.5172,"\u002Ffq4rP3xefMNaEuwVx45j5LElVAa.jpg","1996-01-01",9,{"adult":8,"backdrop_path":67,"genre_ids":68,"id":69,"title":70,"original_language":71,"original_title":70,"overview":72,"popularity":73,"poster_path":74,"release_date":75,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002FohVqdKqyzpoeQF47dRT5CcbnCtr.jpg",[14],1021132,"Yellow Scream","ko","The piece, the artist states, “is like the typical painting lessons of Bob Ross. 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He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.",1.1879,"\u002FzmQA1WCUVjvNQ2NEbGq1XTIfstp.jpg","2019-11-23",10,{"adult":8,"backdrop_path":95,"genre_ids":96,"id":97,"title":98,"original_language":99,"original_title":98,"overview":100,"popularity":101,"poster_path":102,"release_date":103,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002F6yh5qxZuquoI2gtAseEuDBDuARM.jpg",[17],650262,"Viva video, video viva","cs","Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. 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Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.",0.9876,"\u002FvjYrQd5yOxyzykvmAVfq1Xz9zYq.jpg","2020-02-13",{"adult":8,"backdrop_path":105,"genre_ids":106,"id":110,"title":111,"original_language":81,"original_title":111,"overview":19,"popularity":112,"poster_path":113,"release_date":114,"softcore":8,"video":115,"vote_average":11,"vote_count":11},"\u002FvQG2k45i3OfyIdijqXE0XXY3FCL.jpg",[17,107,108,109],10749,36,10402,650275,"Cóndor",1.4748,"\u002FgaQcOdIgfDVV3ogh9ct8ML6cfW6.jpg","2016-11-03",true,{"adult":8,"backdrop_path":10,"genre_ids":117,"id":118,"title":119,"original_language":23,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":8,"video":8,"vote_average":124,"vote_count":32},[17,108],482395,"Guadalcanal Requiem","One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance\u002Fdocumentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles.",0.4863,"\u002FaSkPq3yTK3sFNAM5gNwB58kq4vy.jpg","1977-01-01",7,{"adult":8,"backdrop_path":10,"genre_ids":126,"id":127,"title":128,"original_language":23,"original_title":128,"overview":129,"popularity":130,"poster_path":131,"release_date":132,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[17,108],1597430,"108 spin","A kinetic prayer and structuralist intervention. Shot entirely on an iPhone 11 in a desolate Midwest laundromat, 108 spin documents the mechanics of impermanence. The film shifts from heavy turbulence to suspended repetition—not as a path to completion, but as a study of the loop itself. Featuring a layered soundscape, the work asks the viewer to stare into the rotation until the noise becomes a mantra.",0.4851,"\u002F9oYNYqUoSFRqc1o2AWaNLJOM6kp.jpg","2025-12-13",{"adult":8,"backdrop_path":134,"genre_ids":135,"id":136,"title":137,"original_language":23,"original_title":137,"overview":138,"popularity":139,"poster_path":140,"release_date":141,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002FYGJqS9ML1S7MGcG0G7DFJcPaQj.jpg",[17],651330,"Kill Your TV: Jim Moir’s Weird World of Video Art","Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.",0.6234,"\u002Fv0rca7GMZnorrFolEGmZbtF1pR8.jpg","2019-11-24",{"adult":8,"backdrop_path":10,"genre_ids":143,"id":144,"title":145,"original_language":23,"original_title":145,"overview":146,"popularity":147,"poster_path":148,"release_date":149,"softcore":8,"video":8,"vote_average":65,"vote_count":32},[17],1023234,"Video Out","Brief history of the video artist and the history of the video",0.5375,"\u002FqXzbdrVsqT9ulJrsUYgCmDhXjl6.jpg","2005-06-10",{"adult":8,"backdrop_path":10,"genre_ids":151,"id":153,"title":154,"original_language":23,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[109,152,58,17,108],10752,644758,"FUCK TV","After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.",1.5809,"\u002FjYt6l9hGmZlAWFYoeC9GT5JdWmU.jpg","2019-08-09",{"adult":8,"backdrop_path":160,"genre_ids":161,"id":162,"title":163,"original_language":23,"original_title":163,"overview":164,"popularity":165,"poster_path":166,"release_date":167,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002Fj94f1FNG5a4OLA3SSxIOHmqxh1E.jpg",[17],485597,"Junior War","In Junior War, a throng of highschoolers congregate at night for a party in the woods sometime in the year 2000. A band plays, the kids get drunk, the boys and girls tepidly flirt, and groups deploy into cars for the purpose of destroying mailboxes, tee-peeing houses, breaking lawn ornaments, and sparring with the police. 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He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.",0.498,"\u002F91GA4RzhOOjODSmpx7vv4gBKUwn.jpg","2021-02-08",{"adult":8,"backdrop_path":10,"genre_ids":180,"id":181,"title":182,"original_language":23,"original_title":182,"overview":183,"popularity":184,"poster_path":10,"release_date":185,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[17],1226582,"Dark Blue Sky","A short film that only uses photos and intertitles, this visual scenario depicts the sky as the sun sets. 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Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.",0.7537,"\u002FbKP9GKb5jOWIqKG3zb6lWbOeBBa.jpg","2025-02-22",{"adult":8,"backdrop_path":10,"genre_ids":231,"id":232,"title":233,"original_language":23,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[17],674352,"No Ordinary Protest","Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Karikis. The video section of the installation features seven-year-olds from Mayflower Primary School in East London discussing the novel's environmental themes.",0.8139,"\u002FmXQ54yHLBQCyMXjR1DKL71iWQ4E.jpg","2019-10-25",1001,20001,{"results":241},{},{"page":32,"results":243,"total_pages":464,"total_results":465},[244,256,267,278,290,301,312,323,334,345,356,367,378,389,400,411,422,434,443,454],{"adult":8,"backdrop_path":245,"id":246,"title":247,"original_title":247,"overview":248,"poster_path":249,"media_type":250,"original_language":23,"genre_ids":251,"popularity":252,"release_date":253,"softcore":8,"video":8,"vote_average":254,"vote_count":255},"\u002F3T3BLfbuIGfpYKebxOe7bqVULU1.jpg",62425,"Talking Funny","What does it mean to be a successful comedian? How far can the boundaries of taste be pushed to get a laugh? Four top comics, Ricky Gervais, Louis C.K., Jerry Seinfeld and Chris Rock, discuss and debate their craft.","\u002FzmH2WijtVeAKHPeQ6jPsCaLsf2c.jpg","movie",[14,17],2.5543,"2011-04-22",7.363,62,{"adult":8,"backdrop_path":257,"id":258,"title":259,"original_title":259,"overview":260,"poster_path":261,"media_type":250,"original_language":23,"genre_ids":262,"popularity":263,"release_date":264,"softcore":8,"video":8,"vote_average":265,"vote_count":266},"\u002FrdaHUEeRSKeeL7tHc7Ry6oV0wif.jpg",593489,"Anthony Jeselnik: Fire in the Maternity Ward","Forging his own comedic boundaries, Anthony Jeselnik revels in getting away with saying things others can't in this stand-up special shot in New York.","\u002F10EkzjVA0AWUArKnE53Nzf2pigj.jpg",[14,17],1.6745,"2019-04-30",6.982,113,{"adult":8,"backdrop_path":268,"id":269,"title":270,"original_title":270,"overview":271,"poster_path":272,"media_type":250,"original_language":23,"genre_ids":273,"popularity":274,"release_date":275,"softcore":8,"video":8,"vote_average":276,"vote_count":277},"\u002FtLhQsabJnYbs1oCK0JgcZ4DPRnL.jpg",21923,"Richard Pryor: Live on the Sunset Strip","Richard Pryor's stand-up act includes his frank discussion about his freebasing addiction, as well as the infamous night on June 9, 1980 that he caught on fire.","\u002FrK9eAYCr68dwv1mw4weaJu6Lx3W.jpg",[14,17],1.5542,"1982-03-12",7.392,102,{"adult":8,"backdrop_path":279,"id":280,"title":281,"original_title":281,"overview":282,"poster_path":283,"media_type":250,"original_language":23,"genre_ids":284,"popularity":286,"release_date":287,"softcore":8,"video":8,"vote_average":288,"vote_count":289},"\u002FgbmfGSbQo4bWp6vF8f5cRtOE0mB.jpg",592136,"Kevin Hart: Irresponsible","Stand-up comedian Kevin Hart talks about his family, travel and a year full of reckless behavior in front of a live sold-out crowd in London.","\u002FfpFsj2IQekSi9cjOlRyBiIoLBY4.jpg",[14,17,285],10770,1.7421,"2019-04-02",6.709,148,{"adult":8,"backdrop_path":291,"id":292,"title":293,"original_title":293,"overview":294,"poster_path":295,"media_type":250,"original_language":23,"genre_ids":296,"popularity":297,"release_date":298,"softcore":8,"video":8,"vote_average":299,"vote_count":300},"\u002Fd4pIsjOiPz8CUhkBCXFJVxSwNDY.jpg",339927,"Kevin Hart: What Now?","Comedian Kevin Hart performs in front of a crowd of 50,000 people at Philadelphia's outdoor venue, Lincoln Financial Field.","\u002FlFg4tx0jAYkgrcm1bPBlM0FbQvH.jpg",[14,17,285],2.2309,"2016-10-14",6.439,270,{"adult":8,"backdrop_path":302,"id":303,"title":304,"original_title":304,"overview":305,"poster_path":306,"media_type":250,"original_language":23,"genre_ids":307,"popularity":308,"release_date":309,"softcore":8,"video":8,"vote_average":310,"vote_count":311},"\u002FcLXWYcLTcocrpuMFrsWLaFFU9Pm.jpg",762511,"Kevin Hart: Zero F**ks Given","Kevin Hart serves up laughs and brick oven pizza from the comfort of his home, and dishes on male group chats, sex after 40 and life with COVID-19.","\u002FmGQBQTyVqbGWiAMLPNdRuyyjQKO.jpg",[14,17,285],1.9393,"2020-11-17",6.64,100,{"adult":8,"backdrop_path":313,"id":314,"title":315,"original_title":315,"overview":316,"poster_path":317,"media_type":250,"original_language":23,"genre_ids":318,"popularity":319,"release_date":320,"softcore":8,"video":8,"vote_average":321,"vote_count":322},"\u002FkjH0Dw7vKt01Uhxthti3vlJS3oE.jpg",479263,"Patton Oswalt: Annihilation","Patton Oswalt, despite a personal tragedy, produces his best standup yet. 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A humour empire like no other, the impact of the magazines irreverent, often shocking, sensibility was nothing short of seismic: this is an institution whose (drunk stoned brilliant) alumni left their fingerprints all over popular culture. Both insanely great and breathtakingly innovative, The National Lampoon created the foundation of modern comic sensibility by setting the bar in comedy impossibly high.","\u002FwKTLU5kIBiqvjbyIPbXFlXCTDwj.jpg",[108,14,17],3.4256,"2015-01-25",6.654,68,{"adult":8,"backdrop_path":379,"id":380,"title":381,"original_title":381,"overview":382,"poster_path":383,"media_type":250,"original_language":23,"genre_ids":384,"popularity":385,"release_date":386,"softcore":8,"video":8,"vote_average":387,"vote_count":388},"\u002F3CQ4coB7LbAraB0upz6YWmY8rKR.jpg",836919,"Who Are You, Charlie Brown?","Lupita Nyong'o narrates a documentary about Peanuts and its creator, Charles M. Schulz. 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