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As we see and learn, Harold is in jail serving a ten-year sentence for weapons possession; Xiara seems to blame his incarceration on her mother, whom she says \"kept calling the police.\" Xiara, who has always been extremely close to her father, acts out with her mother.",0.9632,"\u002F3SGv4F8tEA3Mp2y9MwAIAvZwmAu.jpg","2005-06-19",3.5,{"adult":8,"backdrop_path":9,"genre_ids":330,"id":331,"title":332,"original_language":53,"original_title":332,"overview":333,"popularity":334,"poster_path":335,"release_date":336,"softcore":8,"video":8,"vote_average":337,"vote_count":338},[13],446470,"44 Pages","A portrait of Highlights Magazine following the creation of the cultural phenomenon's 70th Anniversary issue, from the first editorial meeting to its arrival in homes, and introducing the quirky people who passionately produce the monthly publication for \"the world's most important people,\"...children. 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Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. 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Through the comparison and analysis of these heterogeneous records, produced for different purposes, from political propaganda to family celebration, the film explores the several layers of the political web of the Estado Novo, exposing its external inspirational sources, functionality and contradictions.",0.755,"\u002F7l75zkAht3qQUyvJkxHefYIgHp2.jpg","2016-04-15",9.2,3,{"adult":8,"backdrop_path":9,"genre_ids":369,"id":370,"title":371,"original_language":360,"original_title":371,"overview":15,"popularity":372,"poster_path":373,"release_date":374,"softcore":8,"video":8,"vote_average":375,"vote_count":44},[13],447148,"Dandara: Enquanto Morar for um Privilégio, Ocupar é um Direito",0.4816,"\u002FoBWkr9LKK2FJK7nsRmTcz7gx8hZ.jpg","2013-09-08",10,{"adult":8,"backdrop_path":9,"genre_ids":377,"id":378,"title":379,"original_language":18,"original_title":379,"overview":15,"popularity":380,"poster_path":381,"release_date":382,"softcore":8,"video":8,"vote_average":383,"vote_count":295},[13],450516,"Siempre días azules",2.065,"\u002FeMexpcyjGtE7DszDN5HtmXEIN7b.jpg","2005-11-11",7,{"adult":8,"backdrop_path":9,"genre_ids":385,"id":386,"title":387,"original_language":18,"original_title":388,"overview":389,"popularity":390,"poster_path":391,"release_date":392,"softcore":8,"video":8,"vote_average":375,"vote_count":44},[13],265638,"The Silence of the Princess","El silencio de la princesa","Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. 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This film Kakkoos elaborates on the deplorable status.",0.5006,"\u002F5iCo0hPvFA1Wzgr2OZqLDKDrv0w.jpg","2017-06-14",{"adult":8,"backdrop_path":9,"genre_ids":405,"id":406,"title":407,"original_language":18,"original_title":407,"overview":15,"popularity":408,"poster_path":409,"release_date":410,"softcore":8,"video":8,"vote_average":338,"vote_count":44},[13],450551,"De Madrid a la Luna",0.713,"\u002Fr5KcBlEHUEqcJmx5Oeq6Z4YcSbE.jpg","2006-10-24",{"adult":8,"backdrop_path":9,"genre_ids":412,"id":413,"title":414,"original_language":415,"original_title":416,"overview":417,"popularity":418,"poster_path":419,"release_date":420,"softcore":8,"video":8,"vote_average":338,"vote_count":295},[13],450693,"Bicycle","nl","Fietsen","Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.",1.2006,"\u002F83WYvzhDPdrVdLv7v3LXubZnvEm.jpg","1965-01-01",{"adult":8,"backdrop_path":9,"genre_ids":422,"id":423,"title":424,"original_language":415,"original_title":425,"overview":426,"popularity":427,"poster_path":9,"release_date":428,"softcore":8,"video":8,"vote_average":383,"vote_count":295},[13,99],450725,"Time","De tijd","The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.",1.5225,"1984-07-27",{"adult":8,"backdrop_path":9,"genre_ids":430,"id":431,"title":432,"original_language":53,"original_title":432,"overview":15,"popularity":433,"poster_path":9,"release_date":434,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],5606,"Oaxaca - Zwischen Rebellion und Utopie",0.7371,"2007-01-01",{"adult":8,"backdrop_path":436,"genre_ids":437,"id":439,"title":440,"original_language":53,"original_title":440,"overview":441,"popularity":442,"poster_path":443,"release_date":444,"softcore":8,"video":8,"vote_average":445,"vote_count":446},"\u002FjJ7kAlZN2p9jK5qn6SdIG6iYvxb.jpg",[13,438],10752,449758,"Five Came Back","The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”",1.1568,"\u002F2XlOc0kQGK9q7Xjq77FLBllppm8.jpg","2017-03-31",7.9,45,1001,20001]