[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-rodelinda-1998":3,"movie-rodelinda-1998-en":7},{"id":4,"title":5,"year":6},278567,"Rodelinda","1998",{"adult":8,"backdrop_path":9,"belongs_to_collection":9,"budget":10,"genres":11,"homepage":21,"id":4,"imdb_id":22,"origin_country":23,"original_language":26,"original_title":5,"overview":27,"popularity":28,"poster_path":29,"production_companies":30,"production_countries":34,"release_date":37,"revenue":10,"runtime":38,"softcore":8,"spoken_languages":39,"status":43,"tagline":21,"title":5,"video":8,"vote_average":44,"vote_count":45,"similar":46,"videos":242,"credits":244,"recommendations":332,"watch\u002Fproviders":557},false,null,0,[12,15,18],{"id":13,"name":14},10402,"Music",{"id":16,"name":17},10749,"Romance",{"id":19,"name":20},18,"Drama","","tt0255555",[24,25],"IT","GB","it","Jean-Marie Villegier's modern interpretation of Handel's \"Rodelinda\" – filmed live at the world-renowned Glyndebourne Opera House in the United Kingdom, sets the timeless tale of jealousy and treachery in the black-and-white world of the silent-movie era. Soprano Anna Caterina Antonacci sings the title role of Rodelinda, with tenor Kurt Streit and bass Umberto Chiummo performing the parts of Grimoaldo and Garibaldo, respectively.",2.087,"\u002FqYJ1SqGAnrkEppFxXcSN8AHmqCD.jpg",[31],{"id":32,"logo_path":9,"name":33,"origin_country":21},36795,"Glyndebourne Festival Opera",[35],{"iso_3166_1":25,"name":36},"United Kingdom","1998-06-30",204,[40],{"english_name":41,"iso_639_1":26,"name":42},"Italian","Italiano","Released",7,1,{"page":45,"results":47,"total_pages":240,"total_results":241},[48,60,71,81,90,100,110,118,126,136,146,156,166,175,185,193,201,209,219,231],{"adult":8,"backdrop_path":49,"genre_ids":50,"id":52,"title":53,"original_language":54,"original_title":55,"overview":56,"popularity":57,"poster_path":58,"release_date":59,"softcore":8,"video":8,"vote_average":44,"vote_count":45},"\u002FuvZtqbr8wzHuBr0QOPyVo4wqJuq.jpg",[19,51,13,16],35,1399143,"The Tales of Hoffman - National Opera Company (INBAL)","fr","Los Cuentos de Hoffman - Compañía Nacional de Ópera (INBAL)","Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822).  Approximate duration: 2 h 45 min  Recommended for those over 15 years old.  The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.",0.8495,"\u002Fhwb997VgO9UYODFLcBex6LApFIY.jpg","2021-02-21",{"adult":8,"backdrop_path":61,"genre_ids":62,"id":63,"title":64,"original_language":26,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":8,"video":8,"vote_average":70,"vote_count":45},"\u002FeKIc3rHG6xV9WN9d52NzapwwqQH.jpg",[13,19],267255,"Puccini: Manon Lescaut","Manon Lescaut - Metropolitan Opera","All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.",1.9876,"\u002FsZgIh6WZRkmnBhUKOuaUxkF5Gkm.jpg","1980-03-29",8,{"adult":8,"backdrop_path":9,"genre_ids":72,"id":73,"title":74,"original_language":75,"original_title":74,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":8,"video":8,"vote_average":80,"vote_count":45},[13],832107,"Parsifal","de","Wagner’s mystic masterpiece Parsifal at the Staatsoper Berlin, staged by Dmitri Tcherniakov and conducted by Daniel Barenboim.  Wagner’s last opera, Parsifal is a medieval epic story marked by Christian, Buddhist and esoteric references. It is about redemption and renewal, but this new production by Russian director Dmitri Tcherniakov adds a jarring note : revenge.  This “Festival Play for the Consecration of the Stage” is similar to a Medieval epic, a blend of metaphysical dreams and esoteric battles with constant spiritual references. This new production is directed by Dmitri Tcherniakov, conducted by Daniel Barenboim and sung by an international cast of excellent singers: Andreas Schager, Anja Kampe, Wolfgang Koch, René Pape, Tomas Tómasson and Matthias Hölle.",2.3708,"\u002FekcECh0rrW52Pz9cwx7Rd59uAgS.jpg","2015-03-28",4,{"adult":8,"backdrop_path":82,"genre_ids":83,"id":84,"title":85,"original_language":54,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":8,"video":8,"vote_average":10,"vote_count":10},"\u002FzNRcRcJOvCNNS8MnUvxb77dQfmh.jpg",[13],447466,"The Metropolitan Opera: L’Amour de Loin","Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.",2.0595,"\u002F3RGyOu77m4G5a3v27nV89vacFfa.jpg","2016-12-10",{"adult":8,"backdrop_path":9,"genre_ids":91,"id":92,"title":93,"original_language":75,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":8,"video":98,"vote_average":99,"vote_count":45},[13],265030,"Salome","Richard Strauss's opera, from the Royal Opera House, Covent Garden.",2.8613,"\u002F7uQPrrvUoBJN1nPicqCuhzcqILu.jpg","1997-04-29",true,10,{"adult":8,"backdrop_path":9,"genre_ids":101,"id":102,"title":103,"original_language":26,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":8,"video":98,"vote_average":108,"vote_count":109},[13],265036,"Don Giovanni","Live performance at the Metropolitan Opera in 2000.",0.853,"\u002Fd0Oh6LgEsbDWaV8ekSxZztG3F7C.jpg","2000-12-01",8.5,2,{"adult":8,"backdrop_path":9,"genre_ids":111,"id":112,"title":113,"original_language":54,"original_title":113,"overview":114,"popularity":115,"poster_path":116,"release_date":117,"softcore":8,"video":98,"vote_average":99,"vote_count":45},[13],265040,"Les Contes d'Hoffmann","Live performance from the Opéra National de Paris, 2003.",0.6953,"\u002FaNy6KpNbmhP05aEOuS2kXXeFqr0.jpg","2003-11-22",{"adult":8,"backdrop_path":119,"genre_ids":120,"id":121,"title":122,"original_language":75,"original_title":122,"overview":21,"popularity":123,"poster_path":124,"release_date":125,"softcore":8,"video":8,"vote_average":70,"vote_count":45},"\u002FwgDWFEGm1tRoNNEBYiwV9p5gJ5z.jpg",[13],821238,"Der Rosenkavalier - Bayerische Staatsoper",1.278,"\u002Fif9hCtAN1y02vH1SKRID6xrMbkn.jpg","2021-03-21",{"adult":8,"backdrop_path":127,"genre_ids":128,"id":129,"title":130,"original_language":54,"original_title":131,"overview":132,"popularity":133,"poster_path":134,"release_date":135,"softcore":8,"video":8,"vote_average":10,"vote_count":10},"\u002FdwC79iLNEO67MvaYxUUBa5AuUaw.jpg",[19,51,16],1401491,"The Tales of Hoffmann - Teatro Regio di Parma, 1988","Les Contes d'Hoffmann -  Teatro Regio di Parma, 1988","\"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies.\"\r Venue & Opera Company: Teatro Regio di Parma  Recorded: 1988\r Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion\r Orchestra: Orchestra Sinfonica dell'Emilia-Romagna \"Arturo Toscanini\"  Chorus: Coro del Teatro Regio di Parma  Chorus Master: Adolfo Tanhzi  Stage Director: Beppe de Tomasi",0.8751,"\u002Fg1e4fJ4h0qXbYU4TaxCjxWBuZAT.jpg","1988-02-12",{"adult":8,"backdrop_path":137,"genre_ids":138,"id":139,"title":140,"original_language":141,"original_title":140,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":8,"video":8,"vote_average":70,"vote_count":45},"\u002FvlT9P62WdOs9bCuMJrK8JvjvFQt.jpg",[13],266386,"Britten: Peter Grimes","en","Anthony Dean Griffey creates a haunting portrait of the outcast fisherman who struggles under the burden of presumed guilt. This chilling production by Tony Award-winning director John Doyle also features the superb Patricia Racette as the sympathetic Ellen Orford and the Met chorus in a truly hair-raising performance as the oppressively judgmental fishing village.",0.84,"\u002FzXIrUz0m8dQQvWMncCl29dgSnQk.jpg","2008-03-15",{"adult":8,"backdrop_path":147,"genre_ids":148,"id":149,"title":150,"original_language":75,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":8,"video":8,"vote_average":155,"vote_count":45},"\u002FtTeKZ8OYDelbveFllRMiifW0Kp7.jpg",[19,13],1207431,"Tannhäuser","Anew production of Tannhäuser, which was premiered on 26 July 2019 and presented the Bayreuth debut of conductor Valery Gergiev, as well as the house debut of young soprano star Lise Davidsen. Tobias Kratzer’s staging presented Tannhäuser as a wildly contemporary parable of art and freedom which was praised as “novel” and “wrenching” (New York Times) and received exceptional press acclaim.  hey were joined by mezzo soprano Elena Zhidkova’s Venus (“scene stealing”, according to Opera Today), baritone Markus Eiche’s Wolfram and Stephen Milling’s Landgraf.",2.8282,"\u002FkR1LYs1mYSad5qXGyryDv4rPvTS.jpg","2019-07-25",9,{"adult":8,"backdrop_path":157,"genre_ids":158,"id":159,"title":160,"original_language":75,"original_title":160,"overview":161,"popularity":162,"poster_path":163,"release_date":164,"softcore":8,"video":8,"vote_average":165,"vote_count":45},"\u002F2iTOjDnTYdlKBi86wFOrFkTHjx6.jpg",[13],634808,"Lohengrin","After Tristan und Isolde (2016), Parsifal (2017) and Die Meistersinger von Nürnberg (2018) this is the fourth installment of the exclusive, multiyear partnership between Deutsche Grammophon and the Bayreuth Festival, in which the Yellow Label is the exclusive audiovisual partner of the mythical Wagner festival, releasing each edition's new production on Blu-ray.\r This year, we are proud to release on Blu-ray the celebrated production of Lohengrin which was premiered on 25 July 2018, featuring an illustrious cast including Piotr Beczala and Anja Harteros in their house debuts, as well as the acclaimed return of Waltraud Meier to the Bayreuth Festival.\r The New York Times praised Piotr Beczala’s Lohengrin as “outstanding”, Anja Harteros [making] her impressive Bayreuth debut” as Elsa, and Ortrud “played with dominant presence by the incomparable Waltraud Meier”.",0.7892,"\u002Fy27UQmmjvGLr3slNnchk4dpAFFN.jpg","2018-07-25",5,{"adult":8,"backdrop_path":167,"genre_ids":168,"id":169,"title":170,"original_language":26,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":8,"video":8,"vote_average":108,"vote_count":109},"\u002FnRlPFNWWbLIkIEnJh055hswVF3S.jpg",[13,19],267072,"Lucia di Lammermoor - Metropolitan Opera","This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have.  (Performance taped November 13, 1982. Broadcasted September 28, 1983.)",3.3304,"\u002FmgchKHVtVsx2Erb3lJCNvSrKMkP.jpg","1982-11-13",{"adult":8,"backdrop_path":176,"genre_ids":177,"id":178,"title":179,"original_language":26,"original_title":179,"overview":180,"popularity":181,"poster_path":182,"release_date":183,"softcore":8,"video":8,"vote_average":184,"vote_count":45},"\u002F3cW6FEsqlEr88nkwVPaPhWzzcaY.jpg",[13],272306,"Rossini: La cenerentola","In late 18th-century Italy, in the mansion of Don Magnifico, the young and pretty Angelina works as a maid. Teased by her two frivolous half-sisters, Clorinda and Tisby, Angelina believes she is in love with a young valet and goes to the ball. Dressed in her finest finery, she meets the man who is in fact the Prince and flees from him after giving him a bracelet that will allow him to recognise her a little later. The masks come off, and kindness and love triumph!\r ‘La Cenerentola’ is the last opera buffa composed by Gioachino Rossini for an Italian audience. A dramma giocoso in two acts, with a libretto by Jacopo Ferretti, freely adapted from Charles Perrault’s fairy tale ‘Cinderella’ (1697), omitting the magic in favour of a realism tinged with humour and social criticism. Premiered for the Rome Carnival at the Teatro Valle in Rome on 28 January 1817. Recorded live at Glyndebourne Opera, Lewes, East Sussex, on 2 and 4 June 2005.",1.2241,"\u002FyJIVoi7HN1l7e2h7COyx2VKfGYF.jpg","2005-05-19",9.5,{"adult":8,"backdrop_path":9,"genre_ids":186,"id":187,"title":188,"original_language":26,"original_title":189,"overview":190,"popularity":191,"poster_path":9,"release_date":192,"softcore":8,"video":98,"vote_average":10,"vote_count":10},[13],272308,"The Newspaper","La Gazzetta","The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.",2.8932,"2005-01-01",{"adult":8,"backdrop_path":9,"genre_ids":194,"id":195,"title":196,"original_language":75,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":8,"video":8,"vote_average":70,"vote_count":45},[13],272228,"Der Rosenkavalier - Semperoper","The Semperoper caused a sensation in November 2007 when it visited Japan for the first time in twenty-six years. The demand for tickets and the audience's enthusiasm were unprecedented, not least because the company was staging a piece that is performed more authentically in Dresden than anywhere else in the world: Richard Strauss' Der Rosenkavalier, which received its first performance in Dresden in 1911. Leading the ensemble was the radiant-voiced and profoundly thoughtful Marschallin of Anne Schwanewilms.",1.1961,"\u002Fj9EAeXxfqCmSVWEZgJbi1j4XbGr.jpg","2007-11-25",{"adult":8,"backdrop_path":9,"genre_ids":202,"id":203,"title":204,"original_language":54,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":8,"video":8,"vote_average":44,"vote_count":45},[13],273778,"Carmen","David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.",1.0621,"\u002F3AcG9AyeXIBvYrCTvjNffVRl58f.jpg","2002-07-25",{"adult":8,"backdrop_path":210,"genre_ids":211,"id":212,"title":213,"original_language":26,"original_title":213,"overview":214,"popularity":215,"poster_path":216,"release_date":217,"softcore":8,"video":98,"vote_average":218,"vote_count":45},"\u002FxicvJjeO6iexD1jVxd9bzUaafy7.jpg",[13,19],455819,"The Metropolitan Opera: Norma","Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.",0.9365,"\u002FqQTHr7VL5yGhNe0WiWzVFDcaKqH.jpg","2017-10-07",6,{"adult":8,"backdrop_path":220,"genre_ids":221,"id":223,"title":224,"original_language":141,"original_title":224,"overview":225,"popularity":226,"poster_path":227,"release_date":228,"softcore":8,"video":98,"vote_average":229,"vote_count":230},"\u002FmVZASS7IzCWmwEZRvawI3JgjBh0.jpg",[222,13],14,455824,"The Metropolitan Opera: The Exterminating Angel","After the acclaimed Met premiere of Thomas Adès's \"The Tempest\" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic \"El Ángel Exterminador\", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.",0.8477,"\u002F956Ut2rWRUCp0fOLwleh8ZE2m4q.jpg","2017-11-18",7.7,3,{"adult":8,"backdrop_path":232,"genre_ids":233,"id":234,"title":235,"original_language":26,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":8,"video":98,"vote_average":44,"vote_count":109},"\u002FlrilS8O2aaZzzrmIQYjNvh5fEO7.jpg",[19,13],455825,"The Metropolitan Opera: Tosca","Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. 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