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Duang, during a period of stay in a monastery. Through her inner diary, the film explores a suspended phase of life: the one in which identity it is not yet defined and belonging becomes an open question. The monastery becomes the physical and symbolic place where Duang observes herself. Immersed in a daily life marked by rituals, silences and repeated gestures, the protagonist goes through an experience of deep listening, in which time slows down and perception is refined. Belonging Syndrome talks about hybrid identities, cultural legacies that coexist without completely merging, the difficulty and possibility of inhabiting multiple worlds without having to choose just one. 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Every word spoken by the actors in this film is sourced from the letters that Van Gogh sent to his younger brother Theo, and of those around him. What emerges is a complex portrait of a sophisticated, civilised and yet tormented man.","\u002FsoGsCeYNpq2OcdUrB4th1h1wwd.jpg",[14,17],1.6009,"2010-04-05",7.3,58,{"adult":8,"backdrop_path":394,"id":395,"title":396,"original_title":396,"overview":397,"poster_path":398,"media_type":376,"original_language":123,"genre_ids":399,"popularity":400,"release_date":401,"softcore":8,"video":8,"vote_average":402,"vote_count":403},"\u002F3lvQSIawim7dc2FrzrIf72Uxw6v.jpg",23676,"Ten Minutes Older: The Trumpet","Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. 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