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What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.","\u002Fp1Od99QxnzCB9vKu9uxkZQlPZQ5.jpg",[14],2.444,"2016-09-09",6.726,{"adult":8,"backdrop_path":379,"id":380,"title":381,"original_title":381,"overview":382,"poster_path":383,"media_type":254,"original_language":20,"genre_ids":384,"popularity":385,"release_date":386,"softcore":8,"video":8,"vote_average":387,"vote_count":347},"\u002F3G0xVewAccMul25pPQxbmfOIS4J.jpg",565276,"Love, Antosha","From a prolific career in film and television, Anton Yelchin left an indelible legacy as an actor. 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His journey then becomes one of self-reflection and self-discovery rather than a historical\u002Fsociological exploration.","\u002F55YscDYNXdffYwDGMrpveqnsa9d.jpg",[14],1.7626,"1986-09-05",6.315,46,30,590,{"cast":465,"crew":466},[],[467,475,478],{"adult":8,"gender":11,"id":468,"known_for_department":469,"name":470,"original_name":470,"popularity":471,"profile_path":10,"credit_id":472,"department":473,"job":474},4420218,"Camera","George Craster",0.2383,"657395079a358d011d5172df","Directing","Director",{"adult":8,"gender":11,"id":468,"known_for_department":469,"name":470,"original_name":470,"popularity":471,"profile_path":10,"credit_id":476,"department":469,"job":477},"657394f055bc3500e284b2d5","Director of Photography",{"adult":8,"gender":11,"id":479,"known_for_department":480,"name":481,"original_name":481,"popularity":482,"profile_path":10,"credit_id":483,"department":480,"job":484},4420219,"Production","Mary Craster",0.2168,"657394fd2811a100c40ca280","Producer"]