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The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.",6.0145,"\u002FsKdKVJaenRvXT4iUjTjd9Iiw5jG.jpg","2020-12-01",{"adult":8,"backdrop_path":174,"genre_ids":175,"id":176,"title":177,"original_language":178,"original_title":179,"overview":180,"popularity":181,"poster_path":182,"release_date":183,"softcore":8,"video":8,"vote_average":54,"vote_count":34},"\u002FnKkC4xJqBFbbkT0O7iH3Ysy5kZv.jpg",[13],837681,"Pick up the Wind","es","Recoger El Viento","A short film following Anthony, a young child from the small, rural town of San Antonio de los Baños, Cuba. 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Cowboy and Maria have independently landed in Port Moresby, negotiating ways to survive urban life in a city ranked as one of the most dangerous in the world. Cowboy is an ex-raskol (urban bandit) and Maria an inhabitant of a squatter settlement. Unemployed and with a jail record, Cowboy has constructed an electric guitar out of scrap materials and plays on street corners. Maria lives an equally precarious existence, cultivating a seasonal garden in an urban settlement inflamed by frustration and intertribal conflicts. 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A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. 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