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This eminently ethnographic work is a compendium of the customs and traditions of a people with an ancient history, which today remains a witness to many images that will never again be part of everyday life.",1.0802,"1979-01-01",{"adult":8,"backdrop_path":9,"genre_ids":429,"id":430,"title":431,"original_language":432,"original_title":431,"overview":15,"popularity":433,"poster_path":9,"release_date":434,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],1039575,"Ikátena","pt",4.3359,"1983-01-01",{"adult":8,"backdrop_path":9,"genre_ids":436,"id":437,"title":438,"original_language":115,"original_title":438,"overview":439,"popularity":440,"poster_path":441,"release_date":442,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],1056470,"Finnish American Lives","A moving portrait of traditional Finnish American culture in the Upper Peninsula of Michigan, highlighting that fragile community of memory connecting ourselves with parents and grandparents. It uses the “biographical model” of folklore filmmaking to tell the story of Erikki Vourenmaa, a 92-year-old Finnish immigrant, and his family living near Ironwood, Michigan. This three-generation farm family works, celebrates, reflects, and grieves together. The film explores the meaning of family, ethnic history, aging and intergenerational bonds. It contrasts between the immigrant elder, his American-born son and the partially assimilated grandchildren to illustrate change and continuity in the \"sauna belt\" of the Lake Superior Region. As Dr. Sharon Sherman concluded, “Loukinen’s focus on the bonds between generations will strike emotional chords about family relationships and ethnic identity for numerous cultural groups.”",2.1108,"\u002F7oMkeJYGcnTiEUfcizFS3DKlVJF.jpg","1982-01-01",{"adult":8,"backdrop_path":444,"genre_ids":445,"id":446,"title":447,"original_language":349,"original_title":447,"overview":15,"popularity":448,"poster_path":449,"release_date":450,"softcore":8,"video":8,"vote_average":10,"vote_count":10},"\u002FauE2oTPn9edAPKa46xt3lK7gYob.jpg",[13],1620564,"Le Grand Entretien avec Philippe Descola",1.2171,"\u002Fb7FEiKR0yao39YlAhOgMOXABFfN.jpg","2023-01-01",{"adult":8,"backdrop_path":9,"genre_ids":452,"id":454,"title":455,"original_language":456,"original_title":455,"overview":457,"popularity":458,"poster_path":459,"release_date":460,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13,453],18,1248343,"Xondaros - Guarani Resistance","gn","The 6 Guarani villages of Jaraguá, in São Paulo, fight for land rights, for human rights and for the preservation of nature. They suffer from the proximity to the city, which brings lack of resources, pollution of rivers and springs, racism, police violence, fires, lack of infrastructure and sanitation, among others. Unable to live like their ancestors, their millenary culture is lost as it merges with the urban culture.",0.7431,"\u002F6eHAa5mg28KoLbcYyFmnfREpVPW.jpg","2023-06-08",{"adult":8,"backdrop_path":9,"genre_ids":462,"id":463,"title":464,"original_language":465,"original_title":464,"overview":466,"popularity":467,"poster_path":9,"release_date":15,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],1635745,"Room 11, Ethiopia Hotel","om","The film recounts the life of children living on the street in Gondar, Ethiopia, by witnessing the interaction between two children and the filmmaker. The entire film was shot in the room of Ethiopia Hotel. This limited space allows the film to focus on their communication and captures some of the ideas that enable the children to endure and survive on the street. Indeed, this film is more a sensitive testimony than a scientific documentary. This hybrid approach aims to explore new trends in visual anthropology, including the issue of dealing with intimacy and subjectivity.",0.4191,{"adult":8,"backdrop_path":9,"genre_ids":469,"id":470,"title":471,"original_language":472,"original_title":473,"overview":474,"popularity":475,"poster_path":476,"release_date":216,"softcore":8,"video":8,"vote_average":66,"vote_count":52},[13],491178,"Those Who Come, Will Hear","iu","Ceux qui viendront, l’entendront","The documentary proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives,  the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.",1.1012,"\u002FsJfwJNhzVkvpPRRxCeKhGM5drjK.jpg",{"adult":8,"backdrop_path":478,"genre_ids":479,"id":480,"title":481,"original_language":115,"original_title":481,"overview":482,"popularity":483,"poster_path":484,"release_date":485,"softcore":8,"video":8,"vote_average":10,"vote_count":10},"\u002FzCIJZD6Db3gsPBqChM1V76vG8L7.jpg",[13],880095,"Broken Gods","India has one of the largest populations of Indigenous people in the world, known locally as adivasis or tribals. As India's current Hindu nationalist government pushes to redefine India as a homogenous Hindu nation, adivasis’ ways of life are under greater threat. Set among the Rathava and Bhil adivasi communities of western India, broken gods document the social impact of Hindu religious evangelism among India’s Indigenous groups. As Indigenous people join Hindu religious sects, their old gods are literally becoming broken - devotional mural paintings are being whitewashed from homes, and the earthen figurines in honour of village gods and ancestors are being left to fall apart. While for those who convert joining a Hindu sect offers the allure of a better life, those who continue to follow their old ways have become ostracized by their communities. Their broken gods have lost the power to protect them from illness and scarcity.",1.5359,"\u002FvOvtRoQlIrWZJVvbSdTf5IsjCN4.jpg","2019-03-20",{"adult":8,"backdrop_path":9,"genre_ids":487,"id":488,"title":489,"original_language":18,"original_title":490,"overview":15,"popularity":491,"poster_path":9,"release_date":492,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],863639,"African Dwarves","Afričtí trpaslíci",1.6125,"1953-01-01",{"adult":8,"backdrop_path":494,"genre_ids":495,"id":497,"title":498,"original_language":499,"original_title":498,"overview":500,"popularity":501,"poster_path":502,"release_date":503,"softcore":8,"video":8,"vote_average":10,"vote_count":10},"\u002F86Ydn5z1KeuqcST64jvhass1JFI.jpg",[496,13],9648,1263082,"Sweet Osmanthus Flowering Late","zh","\"Sweet Osmanthus Flowering Late\" is a feature-length ethnographic film that envisions social rejuvenation and collective convalescence in the aftermath of the pandemic. Filmed in Wuhan, the film follows the everyday lives of three middle-class households. It postulates the existence of a mass dreaming phenomenon that facilitated fatigued Chinese inhabitants to rejuvenate themselves following the secluded episode of lived experience and to coexist with the enduring imprints of \"the event\" on their social lives.",0.5096,"\u002FtSzdcmQ0PgpQmlzc5BLl22H1g2n.jpg","2024-05-08",{"adult":8,"backdrop_path":9,"genre_ids":505,"id":506,"title":507,"original_language":115,"original_title":507,"overview":508,"popularity":509,"poster_path":510,"release_date":15,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],1456149,"Watchers of the Land","What does it mean to connect with your ancestral land? In the Northwest Territories of Canada, young people from the Lutsel K'e Dene First Nation journey across Tu Nedhe Lake (Great Slave Lake) with the Ni Hat'ni Dene guardians to learn about the home that their community relies on—a home that's being opened up as a new national park reserve within the Thaidene Nene Indigenous Protected Area. Now, looking after this land means that the Ni Hat'ni Dene guardians are preserving it not only for future generations here but also for the world.",0.4063,"\u002F6vQvnfv16htYD8Pd4lhZZghveSE.jpg",1001,20001]