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A highly credible incarnation of the pitiable Kleinzach he sings about, Aquiles Machado is the poet who loses his romantic idealism, his reflection and finally his soul to a 'trio of charming enchantresses'.",0.8802,"\u002Far7D5HnLg6sn4QFV9YusaBw0rP3.jpg",[24],{"id":25,"logo_path":26,"name":27,"origin_country":28},4775,"\u002Fz1HSU7AQ04jeOICLE1mBzEJxiEJ.png","Opus Arte","GB",[30],{"iso_3166_1":31,"name":32},"ES","Spain","2006-05-15",185,[36],{"english_name":37,"iso_639_1":19,"name":38},"French","Français","Released",true,{"cast":42,"crew":121},[43,53,60,66,74,81,88,96,104,112],{"adult":8,"gender":44,"id":45,"known_for_department":46,"name":47,"original_name":47,"popularity":48,"profile_path":49,"cast_id":50,"character":51,"credit_id":52,"order":10},2,100219,"Acting","Aquiles Machado",0.4993,"\u002FhnqUUmRXQzIPjBuCuJyKzlfIdqr.jpg",1,"Hoffmann","52fe4584c3a368484e05fe17",{"adult":8,"gender":10,"id":54,"known_for_department":46,"name":55,"original_name":55,"popularity":56,"profile_path":9,"cast_id":57,"character":58,"credit_id":59,"order":50},100224,"Katharine Goeldner",0.3776,6,"Nicklausse","52fe4584c3a368484e05fe2b",{"adult":8,"gender":10,"id":61,"known_for_department":46,"name":62,"original_name":62,"popularity":63,"profile_path":9,"cast_id":44,"character":64,"credit_id":65,"order":44},100220,"Milagros Poblador",0.3593,"Olympia","52fe4584c3a368484e05fe1b",{"adult":8,"gender":50,"id":67,"known_for_department":46,"name":68,"original_name":68,"popularity":69,"profile_path":70,"cast_id":71,"character":72,"credit_id":73,"order":71},100221,"María Bayo",0.7495,"\u002FtHWagdOrCl9uRqORvuUBKpZ0X5T.jpg",3,"Antonia","52fe4584c3a368484e05fe1f",{"adult":8,"gender":10,"id":75,"known_for_department":46,"name":76,"original_name":76,"popularity":77,"profile_path":9,"cast_id":78,"character":79,"credit_id":80,"order":78},100222,"Valentina Kutzarova",0.3412,4,"Giulietta","52fe4584c3a368484e05fe23",{"adult":8,"gender":10,"id":82,"known_for_department":46,"name":83,"original_name":83,"popularity":84,"profile_path":9,"cast_id":85,"character":86,"credit_id":87,"order":85},100223,"Konstantin Gorny",0.5322,5,"Lindorf \u002F Coppélius \u002F Dapertutto \u002F Miracle","52fe4584c3a368484e05fe27",{"adult":8,"gender":50,"id":89,"known_for_department":46,"name":90,"original_name":90,"popularity":91,"profile_path":92,"cast_id":93,"character":94,"credit_id":95,"order":57},1410691,"Itxaro Mentxaka",0.5221,"\u002FzazRJk6YFjKPbHhqxDbYjpJpkVG.jpg",17,"Voix de la mère d'Antonia","569d456b9251415e70003f38",{"adult":8,"gender":10,"id":97,"known_for_department":46,"name":98,"original_name":98,"popularity":99,"profile_path":9,"cast_id":100,"character":101,"credit_id":102,"order":103},1562180,"Marco Moncloa",0.8526,18,"Hermann \u002F Schlémil","569d45a3c3a36858ce003f38",7,{"adult":8,"gender":10,"id":105,"known_for_department":46,"name":106,"original_name":106,"popularity":107,"profile_path":9,"cast_id":108,"character":109,"credit_id":110,"order":111},1565222,"Christian Jean",0.4753,13,"Spalanzani","569d443ac3a36858c8003c95",8,{"adult":8,"gender":10,"id":113,"known_for_department":114,"name":115,"original_name":115,"popularity":116,"profile_path":9,"cast_id":117,"character":118,"credit_id":119,"order":120},100225,"Sound","Alain Guingal",0.3982,16,"Conductor","569d449a9251415e73003c9e",9,[122,129,136,139,147],{"adult":8,"gender":10,"id":123,"known_for_department":124,"name":125,"original_name":125,"popularity":126,"profile_path":9,"credit_id":127,"department":124,"job":128},100226,"Directing","Giancarlo Del Monaco",0.5647,"52fe4584c3a368484e05fe37","Director",{"adult":8,"gender":44,"id":130,"known_for_department":114,"name":131,"original_name":131,"popularity":132,"profile_path":133,"credit_id":134,"department":114,"job":135},32052,"Jacques Offenbach",0.5715,"\u002FiVnjK1OhWwrkptwNCgPfZTDTyyi.jpg","52fe4584c3a368484e05fe3d","Original Music Composer",{"adult":8,"gender":10,"id":113,"known_for_department":114,"name":115,"original_name":115,"popularity":116,"profile_path":9,"credit_id":137,"department":114,"job":138},"569d433d9251415e6d003a84","Music Director",{"adult":8,"gender":44,"id":140,"known_for_department":141,"name":142,"original_name":142,"popularity":143,"profile_path":144,"credit_id":145,"department":141,"job":146},590583,"Writing","Jules Barbier",0.6756,"\u002FzhVqhaYv2vyzWFHZCuno5iDZPHz.jpg","569d4363c3a36858c8003c7c","Writer",{"adult":8,"gender":44,"id":148,"known_for_department":141,"name":149,"original_name":149,"popularity":150,"profile_path":151,"credit_id":152,"department":141,"job":153},139865,"E. T. A. Hoffmann",0.8378,"\u002FmtiwO3aZkXrSacRwjRY5Y5fwckg.jpg","569d43909251415e6a003ec3","Original Story",{"page":50,"results":155,"total_pages":342,"total_results":343},[156,167,177,185,193,201,211,219,228,236,248,257,267,276,285,295,305,317,326,334],{"adult":8,"backdrop_path":157,"genre_ids":158,"id":159,"title":160,"original_language":161,"original_title":160,"overview":162,"popularity":163,"poster_path":164,"release_date":165,"softcore":8,"video":40,"vote_average":166,"vote_count":44},"\u002FiJb4pT0BsxOd9EHqWdbAiAjm4Sm.jpg",[13],444455,"Der Rosenkavalier","de","In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask",0.8217,"\u002F1m5cc6c5FM9W8dKsLe3slQUqKz3.jpg","2017-04-13",7.5,{"adult":8,"backdrop_path":9,"genre_ids":168,"id":169,"title":170,"original_language":171,"original_title":170,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":8,"video":40,"vote_average":176,"vote_count":44},[13],444446,"The Metropolitan Opera: Idomeneo","it","Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. Tenor Matthew Polenzani brings both steely resolve and compassionate warmth to the title king of Crete, who is faced with an impossible decision. With her rich mezzo-soprano, Alice Coote sings the trouser role of Idomeneo’s son Idamante, who loves the Trojan princess Ilia, sung with delicate lyricism by Nadine Sierra. Elza van den Heever gives a thrillingly unhinged portrayal of the jealous Elettra. Jean Pierre-Ponnelle’s timeless production blends the grandeur of ancient myth with the elegance of Enlightenment ideals.",1.0682,"\u002Fylbzst4509J2E3tGA7JNLVRBB8X.jpg","2017-03-25",4.5,{"adult":8,"backdrop_path":178,"genre_ids":179,"id":180,"title":181,"original_language":161,"original_title":181,"overview":15,"popularity":182,"poster_path":183,"release_date":184,"softcore":8,"video":8,"vote_average":111,"vote_count":50},"\u002FwgDWFEGm1tRoNNEBYiwV9p5gJ5z.jpg",[13],821238,"Der Rosenkavalier - Bayerische Staatsoper",1.278,"\u002Fif9hCtAN1y02vH1SKRID6xrMbkn.jpg","2021-03-21",{"adult":8,"backdrop_path":9,"genre_ids":186,"id":187,"title":188,"original_language":161,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":8,"video":8,"vote_average":111,"vote_count":50},[13],272228,"Der Rosenkavalier - Semperoper","The Semperoper caused a sensation in November 2007 when it visited Japan for the first time in twenty-six years. The demand for tickets and the audience's enthusiasm were unprecedented, not least because the company was staging a piece that is performed more authentically in Dresden than anywhere else in the world: Richard Strauss' Der Rosenkavalier, which received its first performance in Dresden in 1911. Leading the ensemble was the radiant-voiced and profoundly thoughtful Marschallin of Anne Schwanewilms.",1.1961,"\u002Fj9EAeXxfqCmSVWEZgJbi1j4XbGr.jpg","2007-11-25",{"adult":8,"backdrop_path":9,"genre_ids":194,"id":195,"title":196,"original_language":161,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":8,"video":8,"vote_average":57,"vote_count":50},[13],1040557,"Das Rheingold - Wiener Staatsoper","Wagner's Ring of the Nibelungen is regarded as one of the most important milestones in the history of music. In the first part, the Rheingold, it begins with the chain of fateful entanglements that ultimately attracts the downfall of the race of the gods.",1.4228,"\u002F9kv8IsE5GDiWKEJL1CKD7NtpU6A.jpg","2016-01-10",{"adult":8,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":171,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":8,"video":8,"vote_average":210,"vote_count":50},"\u002F3cW6FEsqlEr88nkwVPaPhWzzcaY.jpg",[13],272306,"Rossini: La cenerentola","In late 18th-century Italy, in the mansion of Don Magnifico, the young and pretty Angelina works as a maid. Teased by her two frivolous half-sisters, Clorinda and Tisby, Angelina believes she is in love with a young valet and goes to the ball. Dressed in her finest finery, she meets the man who is in fact the Prince and flees from him after giving him a bracelet that will allow him to recognise her a little later. The masks come off, and kindness and love triumph!\r ‘La Cenerentola’ is the last opera buffa composed by Gioachino Rossini for an Italian audience. A dramma giocoso in two acts, with a libretto by Jacopo Ferretti, freely adapted from Charles Perrault’s fairy tale ‘Cinderella’ (1697), omitting the magic in favour of a realism tinged with humour and social criticism. Premiered for the Rome Carnival at the Teatro Valle in Rome on 28 January 1817. Recorded live at Glyndebourne Opera, Lewes, East Sussex, on 2 and 4 June 2005.",1.2241,"\u002FyJIVoi7HN1l7e2h7COyx2VKfGYF.jpg","2005-05-19",9.5,{"adult":8,"backdrop_path":9,"genre_ids":212,"id":213,"title":214,"original_language":171,"original_title":215,"overview":216,"popularity":217,"poster_path":9,"release_date":218,"softcore":8,"video":40,"vote_average":10,"vote_count":10},[13],272308,"The Newspaper","La Gazzetta","The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.",2.8932,"2005-01-01",{"adult":8,"backdrop_path":220,"genre_ids":221,"id":222,"title":223,"original_language":171,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":8,"video":40,"vote_average":57,"vote_count":50},"\u002FxicvJjeO6iexD1jVxd9bzUaafy7.jpg",[13,100],455819,"The Metropolitan Opera: Norma","Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.",0.9365,"\u002FqQTHr7VL5yGhNe0WiWzVFDcaKqH.jpg","2017-10-07",{"adult":8,"backdrop_path":9,"genre_ids":229,"id":230,"title":231,"original_language":19,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":8,"video":8,"vote_average":103,"vote_count":50},[13],273778,"Carmen","David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.",1.0621,"\u002F3AcG9AyeXIBvYrCTvjNffVRl58f.jpg","2002-07-25",{"adult":8,"backdrop_path":237,"genre_ids":238,"id":240,"title":241,"original_language":242,"original_title":241,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":8,"video":40,"vote_average":247,"vote_count":71},"\u002FmVZASS7IzCWmwEZRvawI3JgjBh0.jpg",[239,13],14,455824,"The Metropolitan Opera: The Exterminating Angel","en","After the acclaimed Met premiere of Thomas Adès's \"The Tempest\" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic \"El Ángel Exterminador\", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.",0.8477,"\u002F956Ut2rWRUCp0fOLwleh8ZE2m4q.jpg","2017-11-18",7.7,{"adult":8,"backdrop_path":249,"genre_ids":250,"id":251,"title":252,"original_language":171,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":8,"video":40,"vote_average":103,"vote_count":44},"\u002FlrilS8O2aaZzzrmIQYjNvh5fEO7.jpg",[100,13],455825,"The Metropolitan Opera: Tosca","Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.",1.822,"\u002Fk7clZS6Pqn9kXj33jdyOKUkFzpG.jpg","2018-01-27",{"adult":8,"backdrop_path":258,"genre_ids":259,"id":260,"title":261,"original_language":171,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":8,"video":40,"vote_average":266,"vote_count":44},"\u002FtnpHrBk5kvCBQVGIenW90ciMVC8.jpg",[13],455833,"The Metropolitan Opera: Luisa Miller","Premiered immediately before the enduring masterpieces Rigoletto, Il Trovatore, and La Traviata, Luisa Miller incorporates the youthful vitality that had made Verdi an international sensation while also looking forward to the dramaturgical discipline and sophistication of those later works. In this Live in HD performance, soprano Sonya Yoncheva takes on the riveting title role, capping off a season in which she starred in three cinema transmissions. As her father, Miller, the legendary Plácido Domingo adds another baritone role to his extensive repertoire. Tenor Piotr Beczała as Rodolfo, Alexander Vinogradov as Count Walter, and Dmitry Belosselskiy as Wurm round out the illustrious cast, and Bertrand de Billy conducts.",0.8831,"\u002F5495NuTgR0Erh2zJaS4ekIq9a5i.jpg","2018-04-14",10,{"adult":8,"backdrop_path":268,"genre_ids":269,"id":270,"title":271,"original_language":171,"original_title":271,"overview":272,"popularity":273,"poster_path":274,"release_date":275,"softcore":8,"video":8,"vote_average":103,"vote_count":50},"\u002FaM3yb2fjPhuJW4qE4BF5Uuwo4nD.jpg",[13],648281,"Turandot - Teatro alla Scala","Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.",1.7964,"\u002F6NrVj6K28dIepN0ySmDrBGelC5V.jpg","2015-05-01",{"adult":8,"backdrop_path":277,"genre_ids":278,"id":279,"title":280,"original_language":242,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":8,"video":8,"vote_average":166,"vote_count":44},"\u002F3PF5g3zFDOrntf1nzBnraIfqLod.jpg",[13],282807,"The Ghosts of Versailles","What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary.  This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.",1.1036,"\u002FuwNMgZP9MaqVPOoaKBJUsbqAZAy.jpg","1992-01-10",{"adult":8,"backdrop_path":286,"genre_ids":287,"id":288,"title":289,"original_language":171,"original_title":289,"overview":290,"popularity":291,"poster_path":292,"release_date":293,"softcore":8,"video":8,"vote_average":294,"vote_count":44},"\u002FnRlPFNWWbLIkIEnJh055hswVF3S.jpg",[13,100],267072,"Lucia di Lammermoor - Metropolitan Opera","This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have.  (Performance taped November 13, 1982. Broadcasted September 28, 1983.)",3.3304,"\u002FmgchKHVtVsx2Erb3lJCNvSrKMkP.jpg","1982-11-13",8.5,{"adult":8,"backdrop_path":296,"genre_ids":297,"id":298,"title":299,"original_language":171,"original_title":300,"overview":301,"popularity":302,"poster_path":303,"release_date":304,"softcore":8,"video":8,"vote_average":111,"vote_count":50},"\u002FeKIc3rHG6xV9WN9d52NzapwwqQH.jpg",[13,100],267255,"Puccini: Manon Lescaut","Manon Lescaut - Metropolitan Opera","All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.",1.9876,"\u002FsZgIh6WZRkmnBhUKOuaUxkF5Gkm.jpg","1980-03-29",{"adult":8,"backdrop_path":306,"genre_ids":307,"id":310,"title":311,"original_language":19,"original_title":312,"overview":313,"popularity":314,"poster_path":315,"release_date":316,"softcore":8,"video":8,"vote_average":103,"vote_count":50},"\u002FuvZtqbr8wzHuBr0QOPyVo4wqJuq.jpg",[100,308,13,309],35,10749,1399143,"The Tales of Hoffman - National Opera Company (INBAL)","Los Cuentos de Hoffman - Compañía Nacional de Ópera (INBAL)","Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822).  Approximate duration: 2 h 45 min  Recommended for those over 15 years old.  The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.",0.8495,"\u002Fhwb997VgO9UYODFLcBex6LApFIY.jpg","2021-02-21",{"adult":8,"backdrop_path":318,"genre_ids":319,"id":320,"title":321,"original_language":19,"original_title":321,"overview":322,"popularity":323,"poster_path":324,"release_date":325,"softcore":8,"video":8,"vote_average":10,"vote_count":10},"\u002FzNRcRcJOvCNNS8MnUvxb77dQfmh.jpg",[13],447466,"The Metropolitan Opera: L’Amour de Loin","Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. 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