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Unlike most of Bruckner’s symphonies, the 6th was not revised. Of all his works, this one seems to come from a single source of inspiration. Bruckner himself called it his “boldest” symphony – probably due to its extreme degree of motivic, rhythmic and harmonic originality. This live recording of the seldom-performed 6th Symphony is the next instalment of the acclaimed Bruckner cycle by the Staatskapelle Berlin and Daniel Barenboim.  Anton Bruckner Symphony No. 6 in A major  (original version)  Daniel Barenboim, Conductor  Staatskapelle Berlin  Recorded live at the Philharmonie Berlin, 22 June 2010",0.8285,"\u002FnIakcecG7VfxgZCBwDc2dQQB2sm.jpg","2014-01-06",{"adult":8,"backdrop_path":10,"genre_ids":59,"id":60,"title":61,"original_language":53,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],654642,"Bruckner: Symphony No. 8","“Clarity was one thing that made this performance a marvel. Another was the flexibility of Barenboim’s speeds…. The flexibility of Barenboim’s tempi meant that Bruckner’s charm – an often overlooked aspect of his genius – shone through, especially in the genial Trio.” (The Telegraph) Bruckner’s 8th is the last symphony completed by the Austrian composer. Many of his contemporaries regarded the symphony as “the pinnacle of 19th century music”. Even today, this monumental work fascinates listeners with its virtuoso orchestral technique, its immensity of sound, and its inexhaustible richness of detail.  Symphony No. 8 in C minor  (second version 1887-90, Robert Haas Edition)  Daniel Barenboim, Conductor  Staatskapelle Berlin  Recorded live at the Philharmonie Berlin, 26 June 2010",0.8188,"\u002F9VCTThtQb7zCuftlYAHmy7AqA2R.jpg","2014-11-03",{"adult":8,"backdrop_path":10,"genre_ids":67,"id":68,"title":69,"original_language":47,"original_title":69,"overview":16,"popularity":70,"poster_path":10,"release_date":71,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],1223750,"J. S. Bach: Světské a duchovní kantáty",0.7098,"2012-01-01",{"adult":8,"backdrop_path":10,"genre_ids":73,"id":74,"title":75,"original_language":53,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],654907,"Bruckner: Symphony No. 7","In Anton Bruckner’s 7th Symphony, the listener encounters a music characterized by great spaciousness and profound solemnity, a music which speaks of grief and lamentation, but also of their transcendence. With its monumental architecture and intensity of sound, the symphony has moved listeners ever since its triumphal premiere in 1884.  The Guardian calls Daniel Barenboim’s London interpretation “Tremendous … Barenboim and the Staatskapelle seem to have this work in their systems, and the overall impression was of music unfolding organically at its own pace rather than of a work being self-consciously interpreted or led.”  Anton Bruckner  Symphony No. 7 in E major (original version)  Daniel Barenboim, conductor  Staatskapelle Berlin  Recorded live at the Philharmonie Berlin, 25 June 2010",1.0287,"\u002FA4oaVC2uBrXmTnI39UJLbZlohVS.jpg","2014-03-31",{"adult":8,"backdrop_path":81,"genre_ids":82,"id":86,"title":87,"original_language":88,"original_title":87,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":8,"video":8,"vote_average":93,"vote_count":94},"\u002Fv7AeBq31MyRS9S8ixZ9kkpt9k78.jpg",[83,84,85,14],14,16,35,22561,"Allegro non troppo","it","An enterprising producer believes he has hit upon a winning concept: a program of original animated shorts set to classical music. 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Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer.  The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. 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The sophisticated score with a libretto by acclaimed theatre director Peter Sellars comes to life thanks to the Berliner Philharmoniker, whose intimate knowledge of Adams’s music stems from the composer himself: He attended the orchestra’s rehearsals. In the role of the Evangelist, Bubeck, Cummings and Medley lead through the narrative. A stunning highlight is Lazarus’s aria, sung by tenor Peter Hoare. But at the heart of the piece are Mary Magdalene and her sister Martha during the last days before Jesus’s death, impressively performed by mezzo-sopranos Kelley O’Connor and Tamara Mumford.",0.7723,"\u002FebvLxXda3Si79RtjEOCIIRrmJHu.jpg","2017-01-28",{"adult":8,"backdrop_path":158,"genre_ids":159,"id":161,"title":162,"original_language":163,"original_title":162,"overview":164,"popularity":165,"poster_path":166,"release_date":167,"softcore":8,"video":8,"vote_average":168,"vote_count":41},"\u002Fju0nsopy2F7skxFRr7p6iA7YFkg.jpg",[107,14,160],10770,1216827,"Les Grands Rivaux en musique - Schönberg vs Stravinsky","fr","A look back at the violent conflict between the two leading figures of musical modernity, Arnold Schönberg and Igor Stravinsky, in the first decades of the 20th century. Although Arnold Schönberg and Igor Stravinsky both had a decisive influence on the fourth art, their creations remained diametrically opposed. While the Austrian developed the dodecaphonic method, placing the twelve notes of the chromatic scale at the heart of the composition technique to the detriment of tonality, his Russian rival based his practice on stylistic eclecticism. Their supporters formed two opposing camps, and the two composers - one the father of the Second Viennese School, the other of Neoclassicism - became, in the wake of their successes, the figureheads of a conflict that marked the history of music by its duration and intensity.",0.4732,"\u002Fd2ZR07646bwDI7Tnqvx207Eqxci.jpg","2020-12-12",8,{"adult":8,"backdrop_path":170,"genre_ids":171,"id":172,"title":173,"original_language":53,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":8,"video":178,"vote_average":11,"vote_count":11},"\u002F6bJcbTMs0YCO0ek7PIMjdE3D0CA.jpg",[14],655703,"Beethoven: Piano Concertos 1-5 - Uchida, Rattle","There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension.  The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.",0.9033,"\u002FtAVA1QmKoPppLibIEvgFoe0TCAe.jpg","2018-12-07",true,{"adult":8,"backdrop_path":10,"genre_ids":180,"id":181,"title":182,"original_language":53,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[107,14,160],475506,"John Cage: I Have Nothing to Say and I Am Saying It","This 56-minute documentary on America's most controversial and unique composer manages to cover a great many aspects of Cage's work and thought. His love for mushrooms, his Zen beliefs and use of the I Ching, and basic bio details are all explained intelligently and dynamically. 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They perform the most beautiful popular tunes and Christmas carols accompanied by the Philharmonic Orchestra and the Monte-Carlo Opera Choir under the direction of Yvan Cassar. 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