[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-how-much-i-love-you-1985":3,"movie-how-much-i-love-you-1985-en":7},{"id":4,"title":5,"year":6},644369,"How Much I Love You","1985",{"adult":8,"backdrop_path":9,"belongs_to_collection":10,"budget":11,"genres":12,"homepage":16,"id":4,"imdb_id":17,"origin_country":18,"original_language":20,"original_title":21,"overview":22,"popularity":23,"poster_path":24,"production_companies":25,"production_countries":26,"release_date":29,"revenue":11,"runtime":30,"softcore":8,"spoken_languages":31,"status":39,"tagline":40,"title":5,"video":8,"vote_average":41,"vote_count":42,"credits":43,"similar":105,"watch\u002Fproviders":305,"recommendations":307,"videos":528},false,"\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg",null,0,[13],{"id":14,"name":15},99,"Documentary","https:\u002F\u002Fwww.spla.pro\u002Ffr\u002Ffiche.films.spla.5174.html","tt4541944",[19],"DZ","ar","Combien Je Vous Aime","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",0.7137,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg",[],[27],{"iso_3166_1":19,"name":28},"Algeria","1985-05-05",105,[32,35],{"english_name":33,"iso_639_1":20,"name":34},"Arabic","العربية",{"english_name":36,"iso_639_1":37,"name":38},"French","fr","Français","Released","",10,1,{"cast":44,"crew":55},[45],{"adult":8,"gender":46,"id":47,"known_for_department":48,"name":49,"original_name":49,"popularity":50,"profile_path":51,"cast_id":52,"character":53,"credit_id":54,"order":11},2,3317378,"Acting","Abdelkader Alloula",0.3772,"\u002FyiV4sdAp8vqTt3O4I5oD39zJDvo.jpg",4,"Narrator","65df98727614210185d6739c",[56,64,68,75,81,88,96,101],{"adult":8,"gender":46,"id":57,"known_for_department":58,"name":59,"original_name":59,"popularity":60,"profile_path":61,"credit_id":62,"department":58,"job":63},1936954,"Sound","Ahmed Malek",0.4444,"\u002F88SwW89spdNvxyJve0jlYPP0gME.jpg","61988ba0abdafc002a24ff61","Music",{"adult":8,"gender":46,"id":47,"known_for_department":48,"name":49,"original_name":49,"popularity":50,"profile_path":51,"credit_id":65,"department":66,"job":67},"65dfae33fe5c910187ab3778","Writing","Writer",{"adult":8,"gender":11,"id":69,"known_for_department":70,"name":71,"original_name":71,"popularity":72,"profile_path":10,"credit_id":73,"department":70,"job":74},4563799,"Crew","Ahmed Habba",0.2184,"65dfe0f85294e701634e4ffe","Cinematography",{"adult":8,"gender":11,"id":76,"known_for_department":77,"name":78,"original_name":78,"popularity":79,"profile_path":10,"credit_id":80,"department":70,"job":74},4359661,"Art","Rachid Bencheikh",0.3443,"65dfe0e79d592c017c7a823b",{"adult":8,"gender":11,"id":82,"known_for_department":83,"name":84,"original_name":84,"popularity":85,"profile_path":10,"credit_id":86,"department":83,"job":87},4563801,"Editing","Nacer Sahraoui",0.2202,"65dfe11507e2810149dba967","Editor",{"adult":8,"gender":46,"id":89,"known_for_department":66,"name":90,"original_name":90,"popularity":91,"profile_path":92,"credit_id":93,"department":94,"job":95},1339905,"Azzeddine Meddour",0.4086,"\u002F2LmrBAIOY54S7kE39wJmFGtsUJj.jpg","65dfe124880c92016326c87d","Production","Producer",{"adult":8,"gender":11,"id":97,"known_for_department":70,"name":98,"original_name":98,"popularity":99,"profile_path":10,"credit_id":100,"department":70,"job":74},4563798,"Mohamed Aram Zebda",0.2143,"65dfe0dadaf57c01859aedaa",{"adult":8,"gender":46,"id":89,"known_for_department":66,"name":90,"original_name":90,"popularity":91,"profile_path":92,"credit_id":102,"department":103,"job":104},"5dbc8ffd97a4e600137c332b","Directing","Director",{"page":42,"results":106,"total_pages":303,"total_results":304},[107,118,129,138,147,157,166,176,185,194,203,213,222,231,238,249,260,270,280,291],{"adult":8,"backdrop_path":108,"genre_ids":109,"id":111,"title":112,"original_language":20,"original_title":113,"overview":114,"popularity":115,"poster_path":116,"release_date":117,"softcore":8,"video":8,"vote_average":41,"vote_count":42},"\u002Fh6Krt4jssgzwcZGobCDNRfkaoMF.jpg",[14,110],10402,1202590,"Raï Story: From Cheikha Rimitti to Cheba Djenet","حكايات الراي","Raï Story is a musical journey in search of the Raï legend, Cheikha Remitti, in Oran, Algeria, where the Raï musical tradition began. In 1923, the first Raï singers performed behind screens during ceremonies to protect their identity. It was only when the music of singer Cheikha Remitti began to gain popularity among the general public that Raï music was made public, in the 1940s. Cheikha Remitti, who lives between Paris and Oran, is nowhere to be found, the filmmakers then decide to meet producers, musicians, singers like Cheba Dalila or Cheba Djenet, for whom Remitti created a wake. The opportunity, through these unique stories, illustrated with archive images, to retrace the important place of women in this musical tradition and the transformation of Raï music from the 1960s to 2000.",0.7153,"\u002FsWSv1ecyg6snUFuWwwU8Ud5oMK1.jpg","2004-12-01",{"adult":8,"backdrop_path":119,"genre_ids":120,"id":122,"title":123,"original_language":37,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":8,"video":8,"vote_average":41,"vote_count":42},"\u002F5jDgsDQxye1l04Y7cuhH8yUc1az.jpg",[14,121],36,1209496,"Algeria 1954, The Revolt Of A Colonized","Algérie 1954, La Révolte D'un Colonisé","This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.",0.5758,"\u002FefoQlCXQpq0uc2y3fJP0G61R0YK.jpg","1974-01-01",{"adult":8,"backdrop_path":10,"genre_ids":130,"id":131,"title":132,"original_language":133,"original_title":132,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],453531,"Vote off","en","Fayçal Hammoum recounts the 2014 presidential election through non-voting inhabitants of Algiers who, like him, are in their thirties. Be it Bilel, a grocer by default exposed to his customers’ political babbling, or the more politically-charged comments of Younes, a militant FM radio journalist opposed to President Bouteflika’s fourth term, the variety of conversational scenes in no way changes the determination not to vote for an old man who has been invisible for almost two years. The rappers Omar and Brahim are as bereft of hope and voter’s cards as the Tellek webradio DJ, since “the match is fixed”. Moving away from his focus on this subject to film their daily life, the filmmaker draws the portrait of a generation who, as Bilal says with poignant simplicity, “just wants to live",0.7723,"\u002Fm2DoXNoLdFCsBEroKjllPyhd5fM.jpg","2017-03-24",{"adult":8,"backdrop_path":139,"genre_ids":140,"id":141,"title":142,"original_language":37,"original_title":142,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":8,"video":8,"vote_average":41,"vote_count":42},"\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",[14,121],827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",0.6059,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14",{"adult":8,"backdrop_path":10,"genre_ids":148,"id":150,"title":151,"original_language":37,"original_title":152,"overview":153,"popularity":154,"poster_path":155,"release_date":156,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14,121,149],10752,827539,"Surgeon during the Algerian War","Chirurgien dans la guerre d'Algérie","Has everything really been said about the Algerian war? Although the archives are opening up, almost fifty years after the signing of the Evian Agreements (March 18, 1962), direct witnesses are beginning to disappear. They are, however, unique bearers of history, often the only ones able to illustrate the harsh reality of a long-hidden period. Gérard Zwang, surgeon of the contingent between May 1956 and June 1958, is one of these essential witnesses who help us discover an original history of the Algerian War. During his service, in charge of treating the most atrocious wounds of his fellow soldiers, he sees the war from the side of its victims. He did not fight with a machine pistol in his hand, but behind the closed doors of an operating room where life gives way to death in a matter of seconds.",0.7751,"\u002F2HduU6vh8jgL379uFUgw0yzLvcq.jpg","2012-01-09",{"adult":8,"backdrop_path":158,"genre_ids":159,"id":160,"title":161,"original_language":37,"original_title":161,"overview":162,"popularity":163,"poster_path":164,"release_date":165,"softcore":8,"video":8,"vote_average":41,"vote_count":42},"\u002FhqqmZdCE590l0VZznPpNDAbEDZe.jpg",[14],1021584,"Twïza, L'Aventure Algérienne","In Tamazight culture, \"Twïza\" symbolizes a gathering for sharing and mutual support. This is precisely what Thibault Dion's film explores – January 2019 – as five French climbers land at Constantine airport. While they initially thought they would simply be opening climbing routes in eastern Algeria, this group of climbers from Grenoble discovers much more. Their initial apprehension about exploring this isolated region, coupled with the warm welcome, good humor, and rich culture, transforms their journey into an unexpected human adventure. Fabulous landscapes, thrilling experiences, unforgettable moments, smiles – beyond borders, in the land of friendship and hospitality... Algeria.",0.5892,"\u002FAk6ExFAiYAghf5EsGZGrZLqjnUu.jpg","2019-06-21",{"adult":8,"backdrop_path":167,"genre_ids":168,"id":169,"title":170,"original_language":37,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002FAaU2TSjOA66oLFepI4l6d2bwHQK.jpg",[14],1214512,"A French Youth","Une jeunesse française","In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?",0.9105,"\u002FzY9oYjcoumIHvffKylEjPtr5eKT.jpg","2024-11-15",{"adult":8,"backdrop_path":177,"genre_ids":178,"id":179,"title":180,"original_language":37,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":8,"video":8,"vote_average":41,"vote_count":42},"\u002FeG3zbmRv2AE23LO84ueTkdw1TR8.jpg",[14],1203614,"L'Orientalisme","Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.",1.6027,"\u002Fp2tjlERPCwo3d9ry5lTM6iKypPE.jpg","2019-08-27",{"adult":8,"backdrop_path":186,"genre_ids":187,"id":188,"title":189,"original_language":37,"original_title":189,"overview":190,"popularity":191,"poster_path":192,"release_date":193,"softcore":8,"video":8,"vote_average":41,"vote_count":42},"\u002F1w9pkOvkuxi9Idspym3vrhI4HRd.jpg",[14],1203696,"L'Algérie de Gustave Guillaumet (1840-1887)","Born on March 25, 1840, Gustave Guillaumet discovered Algeria by chance when he was about to embark for Italy. Over the course of his ten or eleven trips and extended stays, he established a familiarity with this space. Traveling through the different regions from north to south, he never ceases to note the differences. He is also the first artist, apart from Delacroix's Women of Algiers, to penetrate into female interiors and reveal the reality, far removed from the harem fantasies that reigned in his time. Fascinated by the country, its deserts and its inhabitants , going so far as to live like the Algerians, Gustave Guillaumet devoted his life and his painting to this country, breaking with the colorful and exotic representations of the time. The painting The Famine in Algeria, restored thanks to exceptional fundraising, was dictated by the events of the years 1865-1868, and well illustrates his knowledge of the country, in a manner that is at once demanding, sensitive and serious.",0.781,"\u002Fe7tTC97VWXUFNw4E8hMZeIEEiqW.jpg","2018-10-17",{"adult":8,"backdrop_path":10,"genre_ids":195,"id":196,"title":197,"original_language":37,"original_title":197,"overview":198,"popularity":199,"poster_path":200,"release_date":201,"softcore":8,"video":8,"vote_average":202,"vote_count":42},[14],820274,"Des femmes","As the peaceful and determined Hirak movement gathers momentum and hopes for profound political change sweep across Algeria, women are combining femininity and feminism in the past, present, and future.",2.0655,"\u002FyXWG3ZomsdqizRplrh0YkrIxJRR.jpg","2020-05-12",8,{"adult":8,"backdrop_path":204,"genre_ids":205,"id":206,"title":207,"original_language":37,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002F6JB8ELhrc95a6PRnrCSeAQ2q29D.jpg",[14],822831,"Zahra's Tongue","La Langue de Zahra","The Kabyle people define themselves first and foremost through the spoken word. Every gesture, every moment of their daily lives can give rise to a language of verse, metaphors, and proverbs. After all, isn't it said that in the mountain foothills they call home, verbal dueling was a common pastime? It is a reality difficult to visualize when one looks at the immigrant society where these men and women—often illiterate—are relegated solely to the roles of manual laborers and housewives; one can hardly imagine the eloquent orators they become when they return to their native tongue.",0.8212,"\u002FmtBg805q0O9lJNF30teVKtpgPNn.jpg","2011-04-26",{"adult":8,"backdrop_path":214,"genre_ids":215,"id":216,"title":217,"original_language":20,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":8,"video":8,"vote_average":41,"vote_count":42},"\u002F31ga0vgXdH3Wu8c5xgndQfZgRn.jpg",[14],1201301,"Mouloud Feraoun","Docufiction about Mouloud Feraoun, an author who upholds the great values ​​of the Universal Man. It is in the name of man that Feraoun stands up against injustice. It is in the name of man that he is tormented by war. Feraoun is a solitary creator who suffers to the point of wishing for liberating madness. It is through his work that the portrait of a humble and discreet author, a talented writer and convictions emerges. Most of the time, I let him talk about himself in simple and fair words. I compile his moments of hope, worry, dreams and fears. During all my research, a generous and good Mouloud Feraoun stood out to me who did not hesitate to expose an inhuman and shameful colonial system. His clear and straightforward voice echoes the cry of a people from whom he has never separated.",1.3933,"\u002F4gNaiasO6meL5fruCpb3r3c8UQm.jpg","2009-01-01",{"adult":8,"backdrop_path":223,"genre_ids":224,"id":225,"title":226,"original_language":37,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":8,"video":8,"vote_average":41,"vote_count":42},"\u002F6bGTZHn0kO8VAsXZE2RWb45soOL.jpg",[14],1201249,"Da L'Mulud","An emblematic figure in the defense of Berber culture, Mouloud Mammeri (1917-1989) experienced numerous confrontations with the authorities in Algeria, including the suspension in 1973 of the teaching of Berber at university and the ban of the conference he was to deliver on March 10, 1980 at the University of Tizi Ouzou on ancient Kabyle poetry... which will be the detonator of the powerful and harshly repressed cultural demands movement of April 1980, also called the Berber Spring. Mouloud Mammeri is one of the \"historians\" of French-speaking Algerian literature from the middle of the last century who, through his pen, gave back the soul to a country by giving it back its voice.",0.7207,"\u002FgfOrdIhJ4LCTpiXTVMrk1QFs4aO.jpg","1987-01-01",{"adult":8,"backdrop_path":10,"genre_ids":232,"id":233,"title":234,"original_language":37,"original_title":234,"overview":235,"popularity":236,"poster_path":10,"release_date":237,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],1396592,"Un bain en hiver","“Our memories are marked by smells. Bound together by their olfactory sensitivity, a daughter leads her father to question his family heritage: together they go through their double mourning, that of a grandmother and a childhood in Algeria. How do you face up to the fear of vanishing ghosts?”",0.6122,"2024-06-05",{"adult":8,"backdrop_path":239,"genre_ids":240,"id":241,"title":242,"original_language":37,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":8,"video":8,"vote_average":248,"vote_count":52},"\u002FzaMncrBrFhZuEsMVHYMk6JakXTA.jpg",[14],467742,"CHoosing at Twenty","Choisir à vingt ans","Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.",0.5663,"\u002FoG9JP76zG7QWEY2OaV8Kgj5WtZx.jpg","2017-08-24",6.8,{"adult":8,"backdrop_path":250,"genre_ids":251,"id":253,"title":254,"original_language":37,"original_title":255,"overview":256,"popularity":257,"poster_path":258,"release_date":259,"softcore":8,"video":8,"vote_average":41,"vote_count":42},"\u002FfmIxSL9AJLedeuPc3y2DkgIn2YE.jpg",[14,252],12,1414080,"Salt and Rock","Le Sel Et La Roche","After reading the book \"Guide to Hoggar Climbing,\" guide Pierre Agresti and his wife Isabelle Agresti set off into the Hoggar massif in the Algerian Sahara and tackled the west face of Garet El Djenoun. After a first attempt in 1967, they successfully reached the summit in 1970 and, with an old camera, made a film that remained unused for 25 years. In 1996, they decided to bring the past back to life through the ascent and encounters with the Tuaregs in the rock salt mines of Amadror. The film was shown in competition at the Trento Film Festival in 1997.",0.8391,"\u002FgL2Ytnp1IpkjicI6FcXiNVXyWbh.jpg","1996-01-01",{"adult":8,"backdrop_path":261,"genre_ids":262,"id":263,"title":264,"original_language":37,"original_title":265,"overview":266,"popularity":267,"poster_path":268,"release_date":269,"softcore":8,"video":8,"vote_average":41,"vote_count":42},"\u002FuVuQf1UA9IengxLyOYavR4qnAlK.jpg",[14],1220211,"Zinet, Algiers, Happiness","زينات، الجزائر، السعادة","Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.",0.6391,"\u002FfbXpJslcaldUuyXa0NDlhSZzoN7.jpg","2023-12-15",{"adult":8,"backdrop_path":271,"genre_ids":272,"id":273,"title":274,"original_language":37,"original_title":275,"overview":276,"popularity":277,"poster_path":278,"release_date":279,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002FtU21UThAZCFm8JSFw4Crurr9vNH.jpg",[14],1019629,"Dreams have no titles","Les rêves n'ont pas de titre","Part of Zineb Sedira's art installation for the French Pavilion at the 59th Venice Biennale. A piece where Sedira explores her passion for the militant cinema of the 60s and 70s.",0.487,"\u002FgSqi3Epez0FaBMt8kytMr25Yf4m.jpg","2022-04-23",{"adult":8,"backdrop_path":281,"genre_ids":282,"id":283,"title":284,"original_language":20,"original_title":285,"overview":286,"popularity":287,"poster_path":288,"release_date":289,"softcore":8,"video":8,"vote_average":290,"vote_count":46},"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg",[14,149],273112,"Algeria in Flames","Algérie en flammes","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",0.6797,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,{"adult":8,"backdrop_path":292,"genre_ids":293,"id":295,"title":296,"original_language":37,"original_title":297,"overview":298,"popularity":299,"poster_path":300,"release_date":301,"softcore":8,"video":8,"vote_average":302,"vote_count":46},"\u002FagNWXvCnXxJIcS1c9f0BZlDUzUs.jpg",[14,294],10770,1212784,"1983, The Marchers for Equality","1983, Les marcheurs de l'égalité","In the 1980s, young people of North African descent born in France and a priest from the Lyon suburbs organized the \"March of the Beurs.\" Launched on October 15, 1983, by seventeen people from the La Cayolle neighborhood in Marseille following a racist crime, the march concluded two months later—on December 3—on the streets of Paris, with 100,000 participants. This movement demanded equal rights. Was their cry heard?",1.2285,"\u002Fg8tEM6yVDxmyQEYitTz1ryE5Uey.jpg","2023-12-03",9.5,1001,20001,{"results":306},{},{"page":42,"results":308,"total_pages":526,"total_results":527},[309,321,332,343,354,366,377,387,398,409,420,430,441,452,462,473,484,495,505,515],{"adult":8,"backdrop_path":310,"id":311,"title":312,"original_title":312,"overview":313,"poster_path":314,"media_type":315,"original_language":133,"genre_ids":316,"popularity":317,"release_date":318,"softcore":8,"video":8,"vote_average":319,"vote_count":320},"\u002FbipcEMQU2P79CdHr1ZStfWDK8Pt.jpg",23336,"Why We Fight: Prelude to War","Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. 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The story features Mara, an endearing lion cub who strives to grow up with her mother’s strength, spirit and wisdom; Sita, a fearless cheetah and single mother of five mischievous newborns; and Fang, a proud leader of the pride who must defend his family from a once banished lion.","\u002FnERPMF2kHjc1slLHZYZGwcWX9kg.jpg",[14,252],2.741,"2011-04-21",7.3,262,{"adult":8,"backdrop_path":410,"id":411,"title":412,"original_title":412,"overview":413,"poster_path":414,"media_type":315,"original_language":133,"genre_ids":415,"popularity":416,"release_date":417,"softcore":8,"video":8,"vote_average":418,"vote_count":419},"\u002FkBmwtsPTG0P79oyoTBhaKfCxvSl.jpg",1246596,"The Walking Dead: The Return","Stars of \"The Walking Dead,\" Andrew Lincoln and Danai Gurira, walk down memory lane and visit iconic locations where pivotal moments between their characters, Rick and Michonne, were filmed.","\u002F3clopfmZ8x6s1reWC6fxgXkysZz.jpg",[14],2.2354,"2024-02-15",7.367,139,{"adult":8,"backdrop_path":421,"id":422,"title":423,"original_title":423,"overview":424,"poster_path":425,"media_type":315,"original_language":133,"genre_ids":426,"popularity":427,"release_date":428,"softcore":8,"video":8,"vote_average":202,"vote_count":429},"\u002Fk4MZdogt1DZX0b2tlkr17EFUvP5.jpg",1461714,"My Mom Jayne","Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.","\u002F6KpfMouMavYr1UwTz6612YhYjbs.jpg",[14],3.733,"2025-06-20",54,{"adult":8,"backdrop_path":431,"id":432,"title":433,"original_title":434,"overview":435,"poster_path":436,"media_type":315,"original_language":133,"genre_ids":437,"popularity":438,"release_date":439,"softcore":8,"video":8,"vote_average":341,"vote_count":440},"\u002F86XAOhMI1hq9cNz3ZivGJ9BlJHR.jpg",31688,"The Soviet Story","Padomju stāsts","“The Soviet Story” is a story of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale. Assisted by the West, this power triumphed on May 9th, 1945. Its crimes were made taboo, and the complete story of Europe’s most murderous regime has never been told. Until now...","\u002Fr7OyvtTQo710tNLNhX6io5al3ul.jpg",[14,149,121],2.0244,"2008-04-09",40,{"adult":8,"backdrop_path":442,"id":443,"title":444,"original_title":444,"overview":445,"poster_path":446,"media_type":315,"original_language":133,"genre_ids":447,"popularity":448,"release_date":449,"softcore":8,"video":8,"vote_average":450,"vote_count":451},"\u002FrSuqSerMzqMtgX7fX50Hl55ficF.jpg",1492608,"John Candy: I Like Me","Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.","\u002FmNEJdx9WSXeyMmkuQfTeY4zouNx.jpg",[14],4.7233,"2025-09-04",7.855,117,{"adult":8,"backdrop_path":453,"id":454,"title":455,"original_title":455,"overview":456,"poster_path":457,"media_type":315,"original_language":133,"genre_ids":458,"popularity":459,"release_date":460,"softcore":8,"video":8,"vote_average":290,"vote_count":461},"\u002Ffvz0Psn68l0lXyAmeXxY8D9RRhI.jpg",1515899,"Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D)","Captured during Billie Eilish's sold-out world tour, a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D.","\u002FzfFvltKHntGBupFuubx3r61v48e.jpg",[110,14],5.1979,"2026-05-06",63,{"adult":8,"backdrop_path":463,"id":464,"title":465,"original_title":465,"overview":466,"poster_path":467,"media_type":315,"original_language":133,"genre_ids":468,"popularity":469,"release_date":470,"softcore":8,"video":8,"vote_average":471,"vote_count":472},"\u002Fkj4Q9NHNLvdFx0PlfBSxo0mpmCU.jpg",290802,"Night Will Fall","When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title \"German Concentration Camps Factual Survey\".","\u002FlEsfJbN5BBw1wlqCvzxuBLGwitt.jpg",[14],1.3398,"2014-06-07",7.6,90,{"adult":8,"backdrop_path":474,"id":475,"title":476,"original_title":476,"overview":477,"poster_path":478,"media_type":315,"original_language":133,"genre_ids":479,"popularity":480,"release_date":481,"softcore":8,"video":8,"vote_average":482,"vote_count":483},"\u002FhiqB5fFZ230MeFAGLPahoy06UOE.jpg",576017,"For Sama","A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her.  Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.","\u002FmDna51F8QfrJFZOgPGQUz3VKqsB.jpg",[14,149],3.2945,"2019-07-26",8.232,319,{"adult":8,"backdrop_path":485,"id":486,"title":487,"original_title":487,"overview":488,"poster_path":489,"media_type":315,"original_language":133,"genre_ids":490,"popularity":491,"release_date":492,"softcore":8,"video":8,"vote_average":493,"vote_count":494},"\u002Fk5KUDSvYbxKzcE9zdkixvQ0qLkb.jpg",20565,"42 Up","Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.","\u002FhJAYtr8CvnYBBZJlpdYvUMRWNCl.jpg",[14],2.6226,"1999-11-17",7.563,56,{"adult":8,"backdrop_path":496,"id":497,"title":498,"original_title":498,"overview":499,"poster_path":500,"media_type":315,"original_language":133,"genre_ids":501,"popularity":502,"release_date":503,"softcore":8,"video":8,"vote_average":341,"vote_count":504},"\u002FqcXeklrcNP2wEix4oBPJNlHtDkO.jpg",20553,"21 Up","After another 7 year wait, director Michael Apted revisits the same group of British-born children from Seven Up! and 7 Plus Seven. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.","\u002F2T8mH3V4X428zCipN928ZsRkK7N.jpg",[14],2.3647,"1977-05-09",78,{"adult":8,"backdrop_path":506,"id":507,"title":508,"original_title":508,"overview":509,"poster_path":510,"media_type":315,"original_language":133,"genre_ids":511,"popularity":512,"release_date":513,"softcore":8,"video":8,"vote_average":514,"vote_count":353},"\u002FfMyttWsQXJCG3V9oUOFebYZ0HJT.jpg",94623,"Directed by John Ford","A documentary about the life and films of director John Ford.","\u002Fkv3tPDvWyGTQ2Nb66LTXwK18iXR.jpg",[14],1.4179,"1971-09-06",7,{"adult":8,"backdrop_path":516,"id":517,"title":518,"original_title":518,"overview":519,"poster_path":520,"media_type":315,"original_language":133,"genre_ids":521,"popularity":522,"release_date":523,"softcore":8,"video":8,"vote_average":524,"vote_count":525},"\u002FkDa2gkBf00LocugUUJ1N5mL8BL6.jpg",53367,"Charlie: The Life and Art of Charles Chaplin","Brilliant, long in-the-works story of the life and art of the world's greatest comedian and the cinema's first genius, Charlie Chaplin. Produced, written and directed by renowned film critic Richard Schickel.","\u002F71HnWfOoUwHAlBzPHG5HYxPSmsE.jpg",[14],1.675,"2003-05-01",6.928,61,27,536,{"results":529},[]]