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Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. 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Featuring exclusive interviews with band members and contributors such as Javier Bardem, Lars Ulrich and Chuck D, as well as all-new animated sequences of the band's legendary mascot, Eddie, the film offers a rare and intimate look at Iron Maiden’s uncompromising vision and unwavering connection with their truly global army of fans.","\u002FyZqhFJDenLfgF1VygOOCNmAdS1P.jpg",[13,379],4.5399,"2026-05-07",8.55,70,{"adult":8,"backdrop_path":622,"id":623,"title":624,"original_title":624,"overview":625,"poster_path":626,"media_type":416,"original_language":214,"genre_ids":627,"popularity":628,"release_date":629,"softcore":8,"video":8,"vote_average":630,"vote_count":631},"\u002F8Jns5hMUpTtYcNLrwTSvVuVOHFg.jpg",41778,"Visions of Light","Cameramen and women discuss the craft and art of cinematography and of the \"DP\" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.","\u002F62ry0lNv4gQRuusC1EkUkOmTuUY.jpg",[13,211],1.2668,"1992-09-17",7.049,50,27,523,{"results":635},{}]