[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-dreams-have-no-titles-2022":3,"movie-dreams-have-no-titles-2022-en":7},{"id":4,"title":5,"year":6},1019629,"Dreams have no titles","2022",{"adult":8,"backdrop_path":9,"belongs_to_collection":10,"budget":11,"genres":12,"homepage":16,"id":4,"imdb_id":10,"origin_country":17,"original_language":21,"original_title":22,"overview":23,"popularity":24,"poster_path":25,"production_companies":26,"production_countries":27,"release_date":28,"revenue":11,"runtime":29,"softcore":8,"spoken_languages":30,"status":41,"tagline":42,"title":5,"video":8,"vote_average":11,"vote_count":11,"credits":43,"similar":57,"videos":262,"watch\u002Fproviders":264,"recommendations":266},false,"\u002FtU21UThAZCFm8JSFw4Crurr9vNH.jpg",null,0,[13],{"id":14,"name":15},99,"Documentary","https:\u002F\u002Fdreamshavenotitles.com\u002F",[18,19,20],"DZ","FR","IT","fr","Les rêves n'ont pas de titre","Part of Zineb Sedira's art installation for the French Pavilion at the 59th Venice Biennale. A piece where Sedira explores her passion for the militant cinema of the 60s and 70s.",0.487,"\u002FgSqi3Epez0FaBMt8kytMr25Yf4m.jpg",[],[],"2022-04-23",24,[31,35,38],{"english_name":32,"iso_639_1":33,"name":34},"German","de","Deutsch",{"english_name":36,"iso_639_1":37,"name":36},"English","en",{"english_name":39,"iso_639_1":21,"name":40},"French","Français","Released","",{"cast":44,"crew":53},[45],{"adult":8,"gender":46,"id":47,"known_for_department":48,"name":49,"original_name":49,"popularity":50,"profile_path":51,"cast_id":46,"character":42,"credit_id":52,"order":11},1,2982658,"Directing","Zineb Sedira",0.3377,"\u002FoQgGGKKoMCNqDJEA7IdFYKpfcj2.jpg","6311aa43be55b7008d7f45d5",[54],{"adult":8,"gender":46,"id":47,"known_for_department":48,"name":49,"original_name":49,"popularity":50,"profile_path":51,"credit_id":55,"department":48,"job":56},"6311aa98ba131b0079b22a9b","Director",{"page":46,"results":58,"total_pages":260,"total_results":261},[59,71,80,90,101,113,125,133,143,153,165,174,186,197,206,217,228,237,244,252],{"adult":8,"backdrop_path":60,"genre_ids":61,"id":63,"title":64,"original_language":21,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":8,"video":8,"vote_average":70,"vote_count":46},"\u002F5jDgsDQxye1l04Y7cuhH8yUc1az.jpg",[14,62],36,1209496,"Algeria 1954, The Revolt Of A Colonized","Algérie 1954, La Révolte D'un Colonisé","This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.",0.5758,"\u002FefoQlCXQpq0uc2y3fJP0G61R0YK.jpg","1974-01-01",10,{"adult":8,"backdrop_path":72,"genre_ids":73,"id":74,"title":75,"original_language":21,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":8,"video":8,"vote_average":70,"vote_count":46},"\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",[14,62],827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",0.6059,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14",{"adult":8,"backdrop_path":10,"genre_ids":81,"id":83,"title":84,"original_language":21,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14,62,82],10752,827539,"Surgeon during the Algerian War","Chirurgien dans la guerre d'Algérie","Has everything really been said about the Algerian war? Although the archives are opening up, almost fifty years after the signing of the Evian Agreements (March 18, 1962), direct witnesses are beginning to disappear. They are, however, unique bearers of history, often the only ones able to illustrate the harsh reality of a long-hidden period. Gérard Zwang, surgeon of the contingent between May 1956 and June 1958, is one of these essential witnesses who help us discover an original history of the Algerian War. During his service, in charge of treating the most atrocious wounds of his fellow soldiers, he sees the war from the side of its victims. He did not fight with a machine pistol in his hand, but behind the closed doors of an operating room where life gives way to death in a matter of seconds.",0.7751,"\u002F2HduU6vh8jgL379uFUgw0yzLvcq.jpg","2012-01-09",{"adult":8,"backdrop_path":91,"genre_ids":92,"id":93,"title":94,"original_language":95,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":8,"video":8,"vote_average":70,"vote_count":46},"\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg",[14],644369,"How Much I Love You","ar","Combien Je Vous Aime","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",0.7137,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05",{"adult":8,"backdrop_path":102,"genre_ids":103,"id":104,"title":105,"original_language":21,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":8,"video":8,"vote_average":111,"vote_count":112},"\u002FzaMncrBrFhZuEsMVHYMk6JakXTA.jpg",[14],467742,"CHoosing at Twenty","Choisir à vingt ans","Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.",0.5663,"\u002FoG9JP76zG7QWEY2OaV8Kgj5WtZx.jpg","2017-08-24",6.8,4,{"adult":8,"backdrop_path":114,"genre_ids":115,"id":116,"title":117,"original_language":95,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":8,"video":8,"vote_average":123,"vote_count":124},"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg",[14,82],273112,"Algeria in Flames","Algérie en flammes","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",0.6797,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,2,{"adult":8,"backdrop_path":10,"genre_ids":126,"id":127,"title":128,"original_language":95,"original_title":128,"overview":129,"popularity":130,"poster_path":131,"release_date":132,"softcore":8,"video":8,"vote_average":70,"vote_count":46},[82,14],478076,"Sawt Echaâb","“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.",0.5546,"\u002FtciK1fCuXBCqIAXDgOM1GkXYEcB.jpg","1961-01-01",{"adult":8,"backdrop_path":134,"genre_ids":135,"id":136,"title":137,"original_language":21,"original_title":138,"overview":139,"popularity":140,"poster_path":141,"release_date":142,"softcore":8,"video":8,"vote_average":70,"vote_count":46},"\u002FyH0FiHIxorG8BC2R0eb1U5IpSHT.jpg",[14,62],1458155,"Rosans, Bitter Honey","Rosans, Miel Amer","In 1963, Rosans, a village in the Hautes-Alpes region depopulated by the rural exodus, welcomed Harkis (military soldiers) forced to leave Algeria for supporting France during the Algerian War. Around thirty families settled in a camp below Rosans. Nearly half a century after their arrival, first- and second-generation Harkis and native Rosanais recount their experiences of this culture clash, often painful, sometimes happy. Language barriers, religious differences, living in barracks for 14 years, and unemployment were all obstacles to overcome in order to be accepted and then achieve mutual enrichment. Enriched with archive footage to explain the historical context of the time, the film seeks above all to express feelings and unspoken words.",4.1194,"\u002FdaiDnSXxzWclIcPtNYtXWNJESWG.jpg","2011-01-01",{"adult":8,"backdrop_path":144,"genre_ids":145,"id":146,"title":147,"original_language":21,"original_title":148,"overview":149,"popularity":150,"poster_path":151,"release_date":152,"softcore":8,"video":8,"vote_average":70,"vote_count":46},"\u002FvJvQIuMtzdIV4FhWRLxIcj7WZ9r.jpg",[14,62],1463769,"They Joined the Front","Ils ont rejoint le Front","In this film, four key witnesses, who live in Algeria today, as full-fledged Agerians, show us what this colonization was really like, so \"beneficial\" that they themselves perceived it as the oppression of one people by another. Three of them, who today would be called \"pieds noirs,\" in other words, those Europeans to whom France, the occupying power, gave the best land, taken from the indigenous populations, work, and exclusive rights, not shared by the entire population, lived rather well compared to the majority of the \"natives.\" The fourth was far from all that and lived in Argentina. Annie Steiner, Felix Colozzi, Pierre Chaulet, and Roberto Muniz explain to us what led them to show solidarity with the struggle of the weak, the humiliated, and to risk their freedom and their lives by committing to liberate Algeria.",2.7577,"\u002FsR0QEA1LJ9aaWwonMWhFBUJf7SB.jpg","2012-01-01",{"adult":8,"backdrop_path":154,"genre_ids":155,"id":157,"title":158,"original_language":21,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":8,"video":8,"vote_average":164,"vote_count":124},"\u002F2QiN5jz92u9kzRrsTC5Gbor0u58.jpg",[14,62,156],10770,671384,"De Gaulle, the Last King of France","De Gaulle, le dernier roi de France","Charles de Gaulle, the first president (1958-1969) of the Vth Republic, France’s current system of government, left his mark on the country . He was statesman of action and has been compared to a monarch. This film depicts the general’s personality through the great events of his presidential term, at a time when the world was undergoing considerable changes.",0.7904,"\u002FA2Ngr8JrWIaWLlUrTlKvqOVGlD0.jpg","2017-03-27",7,{"adult":8,"backdrop_path":166,"genre_ids":167,"id":168,"title":169,"original_language":37,"original_title":169,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":8,"video":8,"vote_average":70,"vote_count":46},"\u002FjzWrAcwZoQnL2B4t4k1rZG530sV.jpg",[14],859936,"Five Directors On The Battle of Algiers","This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .",0.9162,"\u002FhlxewWQaGTCTTnnlL5HQ5hHVeXE.jpg","2004-08-01",{"adult":8,"backdrop_path":175,"genre_ids":176,"id":177,"title":178,"original_language":21,"original_title":179,"overview":180,"popularity":181,"poster_path":182,"release_date":183,"softcore":8,"video":8,"vote_average":184,"vote_count":185},"\u002FrD6X9fKpw8akMIZMULCAHZQdtmr.jpg",[14,62],1241414,"The Words Women Spoke One Day","Les Mots qu'elles eurent un jour","1962, at the end of the Algerian War, Algerian independence activists are released from Rennes prison. For one night, filmmaker Yann Le Masson films them. They tell him their vision for the future of Algeria and the place women must occupy in the new society to be built. Fifty years later, with the soundtrack missing, Raphaël Pillosio sets out to find these women. Two deaf people set about lip-reading the women filmed by Yann Le Masson, revealing snatches of sentences, words cut short by the camera's shifts. An investigative film in which the few activists still alive discover their old testimonies and tell us their silent story. The reconstruction of the lost soundtrack will remain in suspense; no happy ending will come to absorb the absence, to cancel the ferocious operation of time. An essay film about cinema that depicts their disappearance, and forever keeps them alive.",0.5732,"\u002Fzr6oQmDNEgLr2iJddkqiNaRpnyH.jpg","2024-03-24",9,3,{"adult":8,"backdrop_path":187,"genre_ids":188,"id":189,"title":190,"original_language":21,"original_title":191,"overview":192,"popularity":193,"poster_path":194,"release_date":195,"softcore":8,"video":8,"vote_average":196,"vote_count":46},"\u002Faq5VvgbLMdSKzq3hJeFouwSLQ61.jpg",[14,156,62],879789,"1958: Those Who Said No","1958, ceux qui ont dit non","On October 4, 2018, France celebrated the 60th anniversary of the Fifth Republic. It is a republic born in the throes of the Algerian War and one which—from the day it was founded by General de Gaulle until the presidency of a very Jupiterian Emmanuel Macron—has been assailed as a “Republican monarchy” by partisans of a more assertive parliamentarian state. By revisiting the struggle of those who dared oppose the new regime — only to suffer a crushing defeat on September 28, 1958, when they were barely able to garner 20% of the vote against the constitutional text — this film shines a powerful new light on the origins of the Fifth Republic and its consequences for the next 60 years.  It is a constitutional debate that planted the seeds for a complete upheaval of the French political landscape, on the left in particular, and set the country in motion toward what would be called the Union of the Left.",0.714,"\u002F5V6eqcHZwtldYHkO8T7hVyeCoYk.jpg","2018-10-06",8,{"adult":8,"backdrop_path":198,"genre_ids":199,"id":200,"title":201,"original_language":21,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":8,"video":8,"vote_average":70,"vote_count":46},"\u002FrwBWhNv2pRay8lv41KDd8ao04Qm.jpg",[14],1244597,"La Bataille d'Alger, l'empreinte","Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.",0.5828,"\u002Fj9bWdGrKJIFgBEMZFKHoARH5rua.jpg","2018-01-01",{"adult":8,"backdrop_path":207,"genre_ids":208,"id":209,"title":210,"original_language":37,"original_title":210,"overview":211,"popularity":212,"poster_path":213,"release_date":214,"softcore":8,"video":8,"vote_average":215,"vote_count":216},"\u002FvqUFZZaOIilL5gBvXY8YL9ES6WT.jpg",[14,62],87041,"The Memory of Justice","This exceptional, disturbing, and thought-provoking two-part documentary compares the atrocities committed by the Nazis as revealed during the Nuremberg trials to those committed by the French in Algeria and those done by the Americans in Vietnam. The four-hour epic questions the right of any country to pass self-righteous moral judgements upon the actions of another country.",0.8926,"\u002FdFlC9K4buNbUJZRkuDipe5NcCBf.jpg","1976-10-04",6.842,19,{"adult":8,"backdrop_path":218,"genre_ids":219,"id":220,"title":221,"original_language":222,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":8,"video":8,"vote_average":70,"vote_count":46},"\u002FcSrMJbxHdDfn6rlOsIzMo7LBhoe.jpg",[14,62],1464869,"Muñiz, The Argentinian In The Algerian Revolution","es","Muñiz, El Argentino En La Revolución Argelina","Roberto Muniz, nicknamed \"Mahmoud the Argentinian,\" was a revolutionary fighter who joined the National Liberation Army in 1959 to support the Algerian cause in the war of independence against France. He joined a clandestine group that manufactured weapons and ammunition to be transported to Algeria to support the revolution that began in 1954. After the war, the Algerian government invited the mujahid to stay, an offer he accepted to begin a new life as an employee of Sonnelgaz and a member of the General Union of Algerian Workers (UGTA), accompanied by his wife Alfonsa, a textile union activist who came from Argentina to join this North African adventure.",0.5057,"\u002FkR1Pu1FOhKkZaQwYSBvquf7Yk52.jpg","2020-08-11",{"adult":8,"backdrop_path":229,"genre_ids":230,"id":231,"title":232,"original_language":21,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":8,"video":8,"vote_average":196,"vote_count":124},"\u002FzRUpcZPlc25YSdZQqYfgbprb5TP.jpg",[14],1083163,"Frantz Fanon, trajectoire d'un révolté","Frantz Fanon alone embodies all the issues of French colonial history. Martinican resistance fighter, he enlisted, like millions of colonial soldiers, in the Free Army out of loyalty to France and the idea of freedom that it embodies for him. A writer, he participated in the bubbling life of Saint-Germain with Césaire, Senghor and Sartre, debating tirelessly on the destiny of colonized peoples. As a doctor, he revolutionized the practice of psychiatry, seeking in the relations of domination of colonial societies the foundations of the pathologies of his patients in Blida. Activist, he brings together through his action and his history of him, the anger of peoples crushed by centuries of colonial oppression. But beyond this exceptional journey which makes sensitive the permanence of French colonialism in the Lesser Antilles at the gates of the Algerian desert, he leaves an incomparable body of work which has made him today one of the most studied French authors across the Atlantic.",0.5983,"\u002Fhe1Iinr6xiR91tbVPIYijv8kFAg.jpg","2021-11-07",{"adult":8,"backdrop_path":10,"genre_ids":238,"id":239,"title":240,"original_language":21,"original_title":240,"overview":42,"popularity":241,"poster_path":242,"release_date":243,"softcore":8,"video":8,"vote_average":70,"vote_count":46},[14],1083200,"Die weiße Gefahr",0.6825,"\u002F32PsHTNPj2FlmLrH8vCTbuzKT2y.jpg","1971-01-18",{"adult":8,"backdrop_path":245,"genre_ids":246,"id":247,"title":248,"original_language":21,"original_title":248,"overview":249,"popularity":250,"poster_path":251,"release_date":205,"softcore":8,"video":8,"vote_average":70,"vote_count":46},"\u002FteuZ3ViknX9zjt3aicWfhOqcY4q.jpg",[14],1246712,"L'Histoire Du Film \"La Bataille D'Alger\"","More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.",0.7044,"\u002FmnuG55frDcVPYOlgdBHGkn8c6xg.jpg",{"adult":8,"backdrop_path":10,"genre_ids":253,"id":254,"title":255,"original_language":21,"original_title":255,"overview":256,"popularity":257,"poster_path":258,"release_date":259,"softcore":8,"video":8,"vote_average":70,"vote_count":46},[14,82],1246854,"Paroles d'un Prisonnier Français de l'ALN","The image of French prisoners was very often evoked in Algerian cinema and literature, but until today, no Algerian or even European report or documentary had given voice to one of these French prisoners of the war of Algeria. In the interest of truth and writing history, we set out in search of one of these French witnesses. This witness is René Rouby, prisoner of Amirouche's group for more than 114 days in 1958 in the Akfadou region in Kabylia. This is the first testimony from a French prisoner of the ALN (the National Liberation Army).",1.4044,"\u002F61ln7AzEA9PcDpPd9wDVEGwyxfT.jpg","2010-11-13",1001,20001,{"results":263},[],{"results":265},{},{"page":46,"results":267,"total_pages":485,"total_results":486},[268,280,290,301,311,322,334,345,357,368,379,389,400,411,422,433,444,454,464,475],{"adult":8,"backdrop_path":269,"id":270,"title":271,"original_title":271,"overview":272,"poster_path":273,"media_type":274,"original_language":37,"genre_ids":275,"popularity":276,"release_date":277,"softcore":8,"video":8,"vote_average":278,"vote_count":279},"\u002Fk0o0sFSbv8BPsQijH6QWxUlDpoG.jpg",508003,"McQueen","Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.","\u002Fbc5kAqhNfLitH7zMlLvLRbxV0xD.jpg","movie",[14],2.9468,"2018-06-08",7.4,146,{"adult":8,"backdrop_path":281,"id":282,"title":283,"original_title":283,"overview":284,"poster_path":285,"media_type":274,"original_language":37,"genre_ids":286,"popularity":287,"release_date":288,"softcore":8,"video":8,"vote_average":196,"vote_count":289},"\u002Fk4MZdogt1DZX0b2tlkr17EFUvP5.jpg",1461714,"My Mom Jayne","Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.","\u002F6KpfMouMavYr1UwTz6612YhYjbs.jpg",[14],3.733,"2025-06-20",54,{"adult":8,"backdrop_path":291,"id":292,"title":293,"original_title":293,"overview":294,"poster_path":295,"media_type":274,"original_language":37,"genre_ids":296,"popularity":297,"release_date":298,"softcore":8,"video":8,"vote_average":299,"vote_count":300},"\u002Fx0FZZWBE7Sp5Vz5ncn4wb8JyG5c.jpg",1400780,"Come See Me in the Good Light","In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.","\u002F5AFbcDGT78cLZTyHTSDBohczjuO.jpg",[14],4.4646,"2025-11-14",7.214,42,{"adult":8,"backdrop_path":302,"id":303,"title":304,"original_title":304,"overview":305,"poster_path":306,"media_type":274,"original_language":37,"genre_ids":307,"popularity":308,"release_date":309,"softcore":8,"video":8,"vote_average":310,"vote_count":14},"\u002FeoAvHxfbaPOcfiQyjqypWIXWxDr.jpg",1059673,"Avatar: The Deep Dive - A Special Edition of 20\u002F20","An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.","\u002FpzZGqIyrrSqIfrkPLJnN1tvCGnV.jpg",[14],4.0844,"2022-12-13",7.207,{"adult":8,"backdrop_path":312,"id":313,"title":314,"original_title":314,"overview":315,"poster_path":316,"media_type":274,"original_language":37,"genre_ids":317,"popularity":318,"release_date":319,"softcore":8,"video":8,"vote_average":320,"vote_count":321},"\u002ForEVSaVSRNElwjB7GZI3vsOKMS9.jpg",961722,"Sidney","This revealing documentary honors the legendary Sidney Poitier—iconic actor, filmmaker, and civil rights activist. 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