[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-der-rosenkavalier-semperoper-2007":3,"movie-der-rosenkavalier-semperoper-2007-en":7},{"id":4,"title":5,"year":6},272228,"Der Rosenkavalier - Semperoper","2007",{"adult":8,"backdrop_path":9,"belongs_to_collection":9,"budget":10,"genres":11,"homepage":15,"id":4,"imdb_id":16,"origin_country":17,"original_language":19,"original_title":5,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":27,"release_date":31,"revenue":10,"runtime":32,"softcore":8,"spoken_languages":33,"status":37,"tagline":15,"title":5,"video":8,"vote_average":38,"vote_count":39,"similar":40,"credits":233,"videos":333,"watch\u002Fproviders":335,"recommendations":390},false,null,0,[12],{"id":13,"name":14},10402,"Music","","tt2290842",[18],"DE","de","The Semperoper caused a sensation in November 2007 when it visited Japan for the first time in twenty-six years. 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Hoffmann (1776-1822).  Approximate duration: 2 h 45 min  Recommended for those over 15 years old.  The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.",0.8495,"\u002Fhwb997VgO9UYODFLcBex6LApFIY.jpg","2021-02-21",7,{"adult":8,"backdrop_path":58,"genre_ids":59,"id":60,"title":61,"original_language":19,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":8,"video":66,"vote_average":67,"vote_count":68},"\u002FiJb4pT0BsxOd9EHqWdbAiAjm4Sm.jpg",[13],444455,"Der Rosenkavalier","In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask",0.8217,"\u002F1m5cc6c5FM9W8dKsLe3slQUqKz3.jpg","2017-04-13",true,7.5,2,{"adult":8,"backdrop_path":9,"genre_ids":70,"id":71,"title":72,"original_language":73,"original_title":72,"overview":74,"popularity":75,"poster_path":76,"release_date":77,"softcore":8,"video":66,"vote_average":78,"vote_count":68},[13],444446,"The Metropolitan Opera: Idomeneo","it","Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. 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Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). 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Wagner’s last opera, Parsifal is a medieval epic story marked by Christian, Buddhist and esoteric references. It is about redemption and renewal, but this new production by Russian director Dmitri Tcherniakov adds a jarring note : revenge.  This “Festival Play for the Consecration of the Stage” is similar to a Medieval epic, a blend of metaphysical dreams and esoteric battles with constant spiritual references. 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Arabella (premiered 1933, Dresden) was the last of the half dozen Strauss works to feature a libretto by the great Austrian writer Hugo von Hofmannsthal. This production, from the most recent Salzburg Easter Festival is, after Capriccio, the second of three Richard Strauss operas C Major is releasing in honor of the composers birth, life and work. The star-laden cast includes soprano Renèe Fleming, baritone Thomas Hampson, Albert Dohmen (Covent Garden, Wiener Staatsoper, MET) and Gabriela Beaková (Wiener Staatsoper, Covent Garden). With Christian Thielemann and the Staatskapelle Dresden, the music of Richard Strauss is in the best of hands. 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