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Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.","\u002FwPXxJSz36VjAkxa4MZ0C28uOdwA.jpg",[13],3.3441,"2012-10-26",6.1,537,{"adult":8,"backdrop_path":240,"id":241,"title":242,"original_title":242,"overview":243,"poster_path":244,"media_type":46,"original_language":47,"genre_ids":245,"popularity":246,"release_date":247,"softcore":8,"video":8,"vote_average":248,"vote_count":249},"\u002FtbSjemOf1nXPOjWELdaeZ7qj1iX.jpg",89708,"Samsara","Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.","\u002Fqodkea4k0pNUmNTl5TJO2PdTqgW.jpg",[13],3.6272,"2011-09-16",8.06,704,{"adult":8,"backdrop_path":251,"id":252,"title":253,"original_title":253,"overview":254,"poster_path":255,"media_type":46,"original_language":47,"genre_ids":256,"popularity":257,"release_date":258,"softcore":8,"video":8,"vote_average":259,"vote_count":260},"\u002FkDa2gkBf00LocugUUJ1N5mL8BL6.jpg",53367,"Charlie: The Life and Art of Charles Chaplin","Brilliant, long in-the-works story of the life and art of the world's greatest comedian and the cinema's first genius, Charlie Chaplin. 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Il Rosa Nudo (Naked Rose), inspired by the true story of Pierre Seel, depicts in a theatrical and evocative way the Homocaust, focusing on the scientific theories of SS Physician Carl Peter Værnet for the treatment of homosexuality, which paved the way for the Nazi persecution of gay men.",0.5741,"\u002FzFQwOskttaojDvvl5i1fKdaPv25.jpg","2013-04-24",4.2,{"adult":8,"backdrop_path":9,"genre_ids":301,"id":302,"title":303,"original_language":47,"original_title":303,"overview":304,"popularity":305,"poster_path":9,"release_date":306,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],264522,"Zamboanga","Images and sound captured in Zamboanga city Mindanao, Philippines. During sunset. 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The pieces literally asks the viewers questions about media authenticity and give CNN a distinct voice",0.6207,"\u002F8vMAsczyxZalJMzLnvJtuZxsAen.jpg","2002-01-01",4,{"adult":8,"backdrop_path":9,"genre_ids":317,"id":318,"title":319,"original_language":320,"original_title":321,"overview":322,"popularity":323,"poster_path":9,"release_date":324,"softcore":8,"video":8,"vote_average":237,"vote_count":325},[13],275598,"Dawn","hu","Hajnal","Szirtes's masterful experimental work is a dazzling composition of several years of filming within an industrial macro\u002Fmicrocosm, an abstract model of revolution and the beauty of daybreak.",0.6399,"1979-01-01",7,{"adult":8,"backdrop_path":9,"genre_ids":327,"id":328,"title":329,"original_language":47,"original_title":329,"overview":330,"popularity":331,"poster_path":9,"release_date":332,"softcore":8,"video":8,"vote_average":25,"vote_count":38},[13],263020,"Black Hole Radio","Black Hole Radio is an installation that consists of taped confessions of callers of the New York City Phone Confession Line and video images. The Phone Confession Line is based on anonymous callers ringing to confess on things they had done or thought like adultery, theft, murder or regrets. Thereafter anybody could call and listen to the confessions. Although making a confession was free, listening to a confession costs money. After Cohen got his hands on the confessions, he used them as an audio heartbeat to accompany video-images of every day life in New York City he had taken over the years. This installation is a portrait of the city with its dark secrets, hushed voices and nocturnal images. In this way Cohen tries to bring across an experience to the viewer that relies on absence, waiting and the effort to hear something in the dark.",0.5693,"1992-09-26",{"adult":8,"backdrop_path":9,"genre_ids":334,"id":335,"title":336,"original_language":337,"original_title":338,"overview":339,"popularity":340,"poster_path":9,"release_date":341,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],262209,"Under a Bridge","ja","橋の下から","In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. 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'The Trick Brain' is a delirious montage and a trip back in time to Breton's private art collection, where Atkins has been scouring the archives and come up with a possessing interior film of the place that once was, complete with surrealistic paintings, scores of Indian figures and hundreds of other displayed rarities. The film's soundtrack is provided by an observant narrator, who reveals to us that the objects shown are not necessarily what they claim to be - but instead are catalysts for some kind of wonderful linguistic virus which reveals the real identity of things.",0.4601,"2013-01-01",{"adult":8,"backdrop_path":9,"genre_ids":364,"id":365,"title":366,"original_language":281,"original_title":366,"overview":367,"popularity":368,"poster_path":369,"release_date":370,"softcore":8,"video":8,"vote_average":371,"vote_count":372},[13],277459,"Ludwig van","An odyssey through Beethoven’s lasting presence and influence in our modern world – viewed through the eyes of the composer himself.",1.6331,"\u002Funqjxx2zyvnHRhQul6m3AAqkGqG.jpg","1970-06-01",5.7,3,{"adult":8,"backdrop_path":9,"genre_ids":374,"id":375,"title":376,"original_language":47,"original_title":376,"overview":377,"popularity":378,"poster_path":9,"release_date":379,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],278080,"Vezdekhod","Image by Carlos Casas.  Double screen projection with live soundtrack.  Images and sound captured on location.  Somewhere in the tundra,  Chukotka Region,  Northeastern Siberia,  Russian Federation.  Music by Prurient.  Published by Von Archives.  N 66° 37’ 916,  W 172° 40’ 353,  Sept 2006.",1.1574,"2012-06-22",{"adult":8,"backdrop_path":381,"genre_ids":382,"id":383,"title":384,"original_language":385,"original_title":386,"overview":387,"popularity":388,"poster_path":389,"release_date":390,"softcore":8,"video":8,"vote_average":25,"vote_count":38},"\u002FgrvRjpSQ1HcBLvI7pVM8mwizfho.jpg",[13],263277,"Selva. A Portrait of Parvaneh Navaï","fr","Selva. Un portrait de Parvaneh Navaï","Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest (\"selva\"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.",2.0033,"\u002FncI1bFYFtTVrRKRojoiNcbc3Bb.jpg","1982-01-21",{"adult":8,"backdrop_path":9,"genre_ids":392,"id":393,"title":394,"original_language":385,"original_title":394,"overview":395,"popularity":396,"poster_path":397,"release_date":398,"softcore":8,"video":8,"vote_average":325,"vote_count":372},[13],262790,"Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante","Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: \"I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!\"",1.2021,"\u002FxtmODLQ7GdeZkM764T4UgaFlpRn.jpg","1977-08-01",{"adult":8,"backdrop_path":9,"genre_ids":400,"id":401,"title":402,"original_language":19,"original_title":403,"overview":404,"popularity":405,"poster_path":9,"release_date":406,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],279440,"Photooxidation","Fotooxidación","De-electronation of a molecular entity as a result of photoexcitation. Light increases its oxidation state, at the same time it releases free radical electrons. Light goes through human work as a natural photodegradation. It mutates within its own limits, from a solar irradiation to its impossible perception in an absent retina.",2.6882,"2013-10-04",{"adult":8,"backdrop_path":9,"genre_ids":408,"id":409,"title":410,"original_language":47,"original_title":410,"overview":411,"popularity":412,"poster_path":413,"release_date":414,"softcore":8,"video":8,"vote_average":415,"vote_count":315},[13],280613,"Canadian Pacific I","Canadian Pacific I is made up of a series of slowly dissolved shots done from the same framing over several months. The camera frames a window with a railway yard in the foreground, a bay in the space behind it, and misty mountains in the extreme distance. Trains occasionally pass by in the foreground. Huge ships move across the bay. Blue mists hover over the mountain heads.",0.6233,"\u002FpWcFNFeyFzaabonf2UrahxTzohx.jpg","1974-07-06",4.5,{"adult":8,"backdrop_path":9,"genre_ids":417,"id":418,"title":419,"original_language":47,"original_title":419,"overview":420,"popularity":421,"poster_path":422,"release_date":423,"softcore":8,"video":8,"vote_average":288,"vote_count":38},[13],280614,"Canadian Pacific II","Canadian Pacific II is designed as a companion piece to Canadian Pacific I.  Shot from a window two storeys higher and in the building adjacent to the artists’s studio of the previous year, one enters into a dream state… an involvement with a vocabulary of seeing and feeling by subtle transitions of the passage of time",0.6427,"\u002FiTdLUGVVNEnHXRohvVhiwWCooUl.jpg","1975-07-06",{"adult":8,"backdrop_path":9,"genre_ids":425,"id":426,"title":427,"original_language":47,"original_title":427,"overview":428,"popularity":429,"poster_path":9,"release_date":430,"softcore":8,"video":8,"vote_average":315,"vote_count":267},[13],286224,"The House That Eye Live In","Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.",0.5748,"2014-08-12",{"adult":8,"backdrop_path":432,"genre_ids":433,"id":434,"title":435,"original_language":281,"original_title":436,"overview":437,"popularity":438,"poster_path":439,"release_date":440,"softcore":8,"video":8,"vote_average":287,"vote_count":315},"\u002Fgz9nx21J2du76fT5gJFmPtlDpdN.jpg",[13,223],74935,"Helicopter String Quartet","Helikopter Streichquartett","One morning, the late Karlheinz Stockhausen awoke from a dream that told him to take to the sky. Stockhausen envisioned four helicopters swirling in the clouds, with each of a quartet’s members tucked inside his own chopper, communicating through headsets, stringing away in sync to the rotor-blade motors. He immediately set forth to make that dream a reality. In 1995, Dutch film director Scheffer followed Stockhausen in the days leading up to the premiere performance of his Helicopter String Quartet in Amsterdam. The resulting film offers a rare glimpse of Stockhausen as he patiently dictates every agonizingly detailed measure to the Arditti Quartet.",1.4502,"\u002FsWTML4oZ7XWIyKpohNj9n02SAV5.jpg","1996-10-17",{"adult":8,"backdrop_path":442,"genre_ids":443,"id":444,"title":445,"original_language":385,"original_title":446,"overview":447,"popularity":448,"poster_path":449,"release_date":450,"softcore":8,"video":8,"vote_average":194,"vote_count":38},"\u002FhWo3KlviFmBlAbvuJDXeKIl2kFj.jpg",[13],146715,"The Memories of Angels","La mémoire des anges","Documentary, poetry and essay rolled into one, this compilation of stockshots and clips sourced from NFB productions of the '50s and '60s offers a singular lesson in Montreal history - its famous figures, symbolic places, and ordinary citizens. Without commentary, the film moves from the red light district to Jean Drapeau, the Jacques-Cartier market, department stores downtown, textile factories, and the construction of Place Ville-Marie. We meet Geneviève Bujold, Oscar Peterson, Monique Mercure, and Igor Stravinsky. We hear Raymond Lévesque, Jean Drapeau, and René Lecavalier.",1.1279,"\u002FusnAsesA8ObulZsj00GRjF7ylnO.jpg","2008-09-05",1001,20001]