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As we see and learn, Harold is in jail serving a ten-year sentence for weapons possession; Xiara seems to blame his incarceration on her mother, whom she says \"kept calling the police.\" Xiara, who has always been extremely close to her father, acts out with her mother.",0.9632,"\u002F3SGv4F8tEA3Mp2y9MwAIAvZwmAu.jpg","2005-06-19",3.5,{"adult":8,"backdrop_path":9,"genre_ids":395,"id":396,"title":397,"original_language":19,"original_title":397,"overview":398,"popularity":399,"poster_path":400,"release_date":401,"softcore":8,"video":8,"vote_average":402,"vote_count":403},[13],446470,"44 Pages","A portrait of Highlights Magazine following the creation of the cultural phenomenon's 70th Anniversary issue, from the first editorial meeting to its arrival in homes, and introducing the quirky people who passionately produce the monthly publication for \"the world's most important people,\"...children. Along the way, a rich and tragic history is revealed, the state of childhood, technology, and education is explored, and the future of print media is questioned.",1.3791,"\u002FqRI89Ncyfjj47hC8G9BdlX7zimf.jpg","2018-04-18",6.333,6,{"adult":8,"backdrop_path":9,"genre_ids":405,"id":406,"title":407,"original_language":19,"original_title":407,"overview":408,"popularity":409,"poster_path":9,"release_date":410,"softcore":8,"video":8,"vote_average":383,"vote_count":99},[13],446878,"Jews","JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg",0.8274,"1984-02-01",{"adult":8,"backdrop_path":412,"genre_ids":413,"id":414,"title":415,"original_language":416,"original_title":417,"overview":418,"popularity":419,"poster_path":420,"release_date":421,"softcore":8,"video":8,"vote_average":422,"vote_count":423},"\u002FtM8PDMh7v215XFLOqJjGMbKVyBt.jpg",[13],447201,"Images of the Estado Novo 1937-45","pt","Imagens do Estado Novo 1937-45","Resorting on a vast archive material of newsreels, photographs, letters, family videos, fiction movies, diary and popular songs excerpts, the documentary reassesses the legacy of the dictatorial period of Getúlio Vargas (1937-1945). Through the comparison and analysis of these heterogeneous records, produced for different purposes, from political propaganda to family celebration, the film explores the several layers of the political web of the Estado Novo, exposing its external inspirational sources, functionality and contradictions.",0.755,"\u002F7l75zkAht3qQUyvJkxHefYIgHp2.jpg","2016-04-15",9.2,3,{"adult":8,"backdrop_path":9,"genre_ids":425,"id":426,"title":427,"original_language":416,"original_title":427,"overview":15,"popularity":428,"poster_path":429,"release_date":430,"softcore":8,"video":8,"vote_average":93,"vote_count":99},[13],447148,"Dandara: Enquanto Morar for um Privilégio, Ocupar é um Direito",0.4816,"\u002FoBWkr9LKK2FJK7nsRmTcz7gx8hZ.jpg","2013-09-08",{"adult":8,"backdrop_path":9,"genre_ids":432,"id":433,"title":434,"original_language":435,"original_title":434,"overview":15,"popularity":436,"poster_path":437,"release_date":438,"softcore":8,"video":8,"vote_average":439,"vote_count":55},[13],450516,"Siempre días azules","es",2.065,"\u002FeMexpcyjGtE7DszDN5HtmXEIN7b.jpg","2005-11-11",7,{"adult":8,"backdrop_path":441,"genre_ids":442,"id":443,"title":444,"original_language":445,"original_title":446,"overview":447,"popularity":448,"poster_path":449,"release_date":450,"softcore":8,"video":8,"vote_average":10,"vote_count":10},"\u002FarPpOeaOM7nJsi8jriNe9pOITZ5.jpg",[13],450736,"Toilet","ta","கக்கூஸ்","Manual Scavenging is an all India Phenomenon. However, the Government of India is kind enough to enact Prohibition of Employment as Manual Scavengers and their Rehabilitation Act and implementing many schemes. But none of them failed to work as the caste system is paramount in the so called democratic constitutional India. This film Kakkoos elaborates on the deplorable status.",0.5006,"\u002F5iCo0hPvFA1Wzgr2OZqLDKDrv0w.jpg","2017-06-14",{"adult":8,"backdrop_path":9,"genre_ids":452,"id":453,"title":454,"original_language":435,"original_title":454,"overview":15,"popularity":455,"poster_path":456,"release_date":457,"softcore":8,"video":8,"vote_average":403,"vote_count":99},[13],450551,"De Madrid a la Luna",0.713,"\u002Fr5KcBlEHUEqcJmx5Oeq6Z4YcSbE.jpg","2006-10-24",{"adult":8,"backdrop_path":9,"genre_ids":459,"id":460,"title":461,"original_language":462,"original_title":463,"overview":464,"popularity":465,"poster_path":466,"release_date":467,"softcore":8,"video":8,"vote_average":403,"vote_count":55},[13],450693,"Bicycle","nl","Fietsen","Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.",1.2006,"\u002F83WYvzhDPdrVdLv7v3LXubZnvEm.jpg","1965-01-01",{"adult":8,"backdrop_path":9,"genre_ids":469,"id":470,"title":471,"original_language":462,"original_title":472,"overview":473,"popularity":474,"poster_path":9,"release_date":475,"softcore":8,"video":8,"vote_average":439,"vote_count":55},[13,252],450725,"Time","De tijd","The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.",1.5225,"1984-07-27",{"adult":8,"backdrop_path":477,"genre_ids":478,"id":480,"title":481,"original_language":19,"original_title":481,"overview":482,"popularity":483,"poster_path":484,"release_date":485,"softcore":8,"video":8,"vote_average":486,"vote_count":200},"\u002FjJ7kAlZN2p9jK5qn6SdIG6iYvxb.jpg",[13,479],10752,449758,"Five Came Back","The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”",1.1568,"\u002F2XlOc0kQGK9q7Xjq77FLBllppm8.jpg","2017-03-31",7.9,{"adult":8,"backdrop_path":9,"genre_ids":488,"id":489,"title":490,"original_language":19,"original_title":490,"overview":491,"popularity":492,"poster_path":493,"release_date":494,"softcore":8,"video":8,"vote_average":93,"vote_count":99},[13],449801,"The Age of AIDS","After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV\u002FAIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?",5.4149,"\u002FekrfrOH60yDgLd5YPUyrULFWOGe.jpg","2006-05-30",{"adult":8,"backdrop_path":9,"genre_ids":496,"id":498,"title":499,"original_language":379,"original_title":499,"overview":500,"popularity":501,"poster_path":502,"release_date":503,"softcore":8,"video":372,"vote_average":504,"vote_count":99},[13,497],10770,450088,"Otar Iosseliani, le merle siffleur","Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.",0.7129,"\u002FabZ1x5acYVTsX9HaA32X9XS0h8F.jpg","2006-01-01",5,1001,20001]