[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-a-study-in-meshes-2025":3,"movie-a-study-in-meshes-2025-en":7},{"id":4,"title":5,"year":6},1600263,"A Study In Meshes","2025",{"adult":8,"backdrop_path":9,"belongs_to_collection":10,"budget":11,"genres":12,"homepage":16,"id":4,"imdb_id":10,"origin_country":17,"original_language":19,"original_title":5,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":24,"release_date":25,"revenue":11,"runtime":11,"softcore":8,"spoken_languages":26,"status":30,"tagline":16,"title":5,"video":8,"vote_average":11,"vote_count":11,"credits":31,"similar":50,"videos":244,"recommendations":246,"watch\u002Fproviders":474},false,"\u002FueL7DQXBBc2eP2YzIKrmQXtSnXW.jpg",null,0,[13],{"id":14,"name":15},99,"Documentary","",[18],"KR","ko","Two layers of mesh overlap on the left. One rotates over the course of a day, its speed  shifting gradually. On the right, a single mesh remains still.  Digital interference is continuously superimposed onto the physical rotation. Where no rotation occurs, motion persists through digital interference alone. Under different conditions, the two images arrive at similar shimmering forms.  The sound drifts with the sky.  Tremolo. Pulse.",0.5291,"\u002FoxL5sWdlkeqd1YremicB3h9rjV9.jpg",[],[],"2025-12-19",[27],{"english_name":28,"iso_639_1":29,"name":28},"English","en","Released",{"cast":32,"crew":33},[],[34,42],{"adult":8,"gender":35,"id":36,"known_for_department":37,"name":38,"original_name":38,"popularity":39,"profile_path":10,"credit_id":40,"department":37,"job":41},1,5884532,"Directing","Kyumin Kim",0.351,"6943e4df2d1adfbf93dec433","Director",{"adult":8,"gender":43,"id":44,"known_for_department":45,"name":46,"original_name":46,"popularity":47,"profile_path":10,"credit_id":48,"department":45,"job":49},2,5888872,"Crew","Jihyub Suk",0.3689,"6946902205478850e22fb744","Cinematography",{"page":35,"results":51,"total_pages":242,"total_results":243},[52,62,71,81,91,102,112,123,132,141,151,160,166,176,184,193,204,211,223,232],{"adult":8,"backdrop_path":10,"genre_ids":53,"id":55,"title":56,"original_language":57,"original_title":56,"overview":58,"popularity":59,"poster_path":60,"release_date":61,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[54,14],16,1228663,"Oblivion","ru","A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.",0.4933,"\u002Fh2EbrnS34tDUe904b08Qsa6y9pD.jpg","2024-10-21",{"adult":8,"backdrop_path":63,"genre_ids":64,"id":65,"title":66,"original_language":29,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002FieSmhemROFPtmXkxQgiJtS3VQpu.jpg",[14,54],1605562,"8 fps","Pictures taken between France and Mexico running at 8 frames per second.",1.7285,"\u002F9WFt9IHn8KuFbd5ZlbTjQTvSYSJ.jpg","2025-12-28",{"adult":8,"backdrop_path":72,"genre_ids":73,"id":75,"title":76,"original_language":29,"original_title":76,"overview":77,"popularity":78,"poster_path":79,"release_date":80,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002FkNF8snbMD5hfJRfvHGeLuQHyiK3.jpg",[14,74],14,1422707,"Seagull dog child","A seagull, a dog, a child, a call to prayer;\r Looking through a window, the corridor of a train, the wall of a medina;\r Everyday life is momentarily paused through the eyes of a stranger in an unknown land.",0.4505,"\u002FrvlnGWNjMUioI91iXTl0m3oEKGP.jpg","2025-02-17",{"adult":8,"backdrop_path":10,"genre_ids":82,"id":83,"title":84,"original_language":85,"original_title":86,"overview":87,"popularity":88,"poster_path":89,"release_date":90,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],1606068,"I Recognize You, Yet You Feel Strange","pt","Te Reconheço, Mas Me Parece Estranho","Within photographs that are not their own, a body discovers it has always been part of another.",0.5868,"\u002FnBhCVeh71IHkgM9CPgIwL6oNzEW.jpg","2026-01-01",{"adult":8,"backdrop_path":92,"genre_ids":93,"id":94,"title":95,"original_language":96,"original_title":95,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":8,"video":8,"vote_average":101,"vote_count":35},"\u002Ft0yeKIk97TXhFycpLmzzS94bqzK.jpg",[14],1041692,"Habitar","es","An oneiric moment in the contradictory sensations that arise when experiencing the COVID-19 pandemic.",0.4019,"\u002F5EQaP2ERwWvNOkiIqxRvL8Wsv2r.jpg","2022-10-22",6,{"adult":8,"backdrop_path":103,"genre_ids":104,"id":105,"title":106,"original_language":107,"original_title":108,"overview":109,"popularity":110,"poster_path":10,"release_date":111,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002FmHEOSopg9V1YP859APuCU6TBOEY.jpg",[14],1044201,"We Want to Die","cs","Chceme umírat","A poetic story of a proletarian couple’s relationship during the years of economic crisis and unemployment – of all the films directed by E. F. Burian, the film Chceme žít (We Want to Live, 1949) is probably his worst. The intention to create a powerful work of cinema that would combine modern means of expression with the ideological canons of socialist realism failed completely. Ježek and Tarnovski discovered these „shambles“ and tried to rebuild a structure out of the hopelessness and futility of life. Ježek has photochemically “transcribed” selected passages with the greatest possible degree of humility towards the work of the great avant-gardist, Tarnovski similarly makes the soundtrack visible. The improvised encounter of sound and image in dialogic mode can lead to various misunderstandings resulting in ambiguous compromise.",1.6844,"2022-10-28",{"adult":8,"backdrop_path":10,"genre_ids":113,"id":115,"title":116,"original_language":117,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14,74,114],9648,1045056,"Love is Tinged with Red","ja","恋は朱に染まる","This work is a representation of the deterioration of the first love of Nakano Eiji.  He uses a psychedelic effect to represent the deterioration.",0.436,"\u002FjnD0fKVjfXi4soZ6LVNBCZpdI75.jpg","2010-03-30",{"adult":8,"backdrop_path":124,"genre_ids":125,"id":126,"title":127,"original_language":29,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002FdpWybiowPpC8QLMn5JTxHDabqm0.jpg",[14],1425981,"Hunting Confessions","\"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement.\"",0.7365,"\u002F4hc07deVaKGrSyzmrEDLY31pFrd.jpg","2025-01-31",{"adult":8,"backdrop_path":133,"genre_ids":134,"id":135,"title":136,"original_language":29,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002FvZtBCwcW3XY0lDF1DuxQNxjl2h5.jpg",[14],1232605,"unbroken rhythms","a poem. trees. fragments of fritz. love—and nothing besides!",0.4942,"\u002FfUdDDd1XGkDUYHIIEcPCJl1D0VY.jpg","2024-01-16",{"adult":8,"backdrop_path":142,"genre_ids":143,"id":144,"title":145,"original_language":146,"original_title":145,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002F3UsbyNrzjPeAqkOWESTlexJ2DlI.jpg",[14],1610144,"Futura Free","ar","An experimental odyssey through altered realities and reconstructed archives, where  wandering voices of the past, present, and future unravel the elusive nature of time  and memory.",1.0045,"\u002FwyzHaXwNPzlpTBOX0K7bBIifQZB.jpg","2025-06-19",{"adult":8,"backdrop_path":152,"genre_ids":153,"id":155,"title":156,"original_language":29,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":16,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002F7MBRRv22Mb5akeLyTavNK85oWBB.jpg",[14,154],80,1232534,"A Film to Pass the Time","Set against nostalgic analog noise, this is an ultra-processed film which pays homage to lost media and the dead art of videotaped home movies. Taking place primarily in the United States, two strippers look into getting hired at a club in Colorado, a young musician reunites with her family in Missouri, and a German woman flies from Berlin to the U.S. to help her friend finish a film in Texas.",0.4521,"\u002FtyDOtpLCPoHDVWWTy9ABtZy48lT.jpg",{"adult":8,"backdrop_path":10,"genre_ids":161,"id":162,"title":163,"original_language":85,"original_title":163,"overview":16,"popularity":164,"poster_path":10,"release_date":165,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],1419209,"O Que Nos Separa",0.9756,"2020-11-08",{"adult":8,"backdrop_path":167,"genre_ids":168,"id":169,"title":170,"original_language":29,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002FfRt9eKtMVGrU4WAaE3f80f8otF4.jpg",[14],1609663,"Fourteen variations on the intimate","Catorce Variaciones de lo Íntimo","In early 2020, MUTA - International Festival of Audiovisual Appropriation and Cine Íntimo rescued and digitised a Peruvian archive of orphaned 8mm and Super 8 home movies.  With the aim of restoring these lost memories, we sent the images around the world.  This omnibus film is the result of the intervention of this material, by 14 experimental filmmakers.  Fourteen perspectives and ways of experiencing appropriation.  Fourteen variations on the intimate.",0.9837,"\u002F6kuEGFyGQkc6nj5UlEaxBGwgGP.jpg","2023-08-23",{"adult":8,"backdrop_path":10,"genre_ids":177,"id":178,"title":179,"original_language":29,"original_title":180,"overview":181,"popularity":182,"poster_path":10,"release_date":183,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],855640,"COS ENDINS Inside the body","COS ENDINS","After so many generational repetitions and beneath so many layers is a territory to be negotiated beyond each person’s skin, inside: the cavity that echoes the intimate and singular identity of everyone. The voice that populate this film bring us to various spaces in Matera, from tourist agglomerations to the town’s internal spaces (grottes, caves, cisterns, lanes, rooms) and the body’s own unassailable space: pleasure and desire for other bodies that no one can cancel.",1.0359,"2019-01-01",{"adult":8,"backdrop_path":10,"genre_ids":185,"id":187,"title":188,"original_language":96,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14,186],10751,1611614,"Vestígio","An experimental home documentary where you step inside the director's lens. A journey through his childhood via his own early recordings, exploring the origins of his craft and how that child’s gaze is still there, captured in time.",0.9369,"\u002F6ilfgFAeJV3egFC3RLlcOVH7nbA.jpg","2025-12-23",{"adult":8,"backdrop_path":194,"genre_ids":195,"id":196,"title":197,"original_language":29,"original_title":197,"overview":198,"popularity":199,"poster_path":200,"release_date":201,"softcore":8,"video":8,"vote_average":202,"vote_count":203},"\u002FuYo84MtnPcECYvmNUtEBv2wUrE0.jpg",[14],44783,"Symbiopsychotaxiplasm: Take One","In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?",1.2773,"\u002FwMRtQ3A4pOmG2dXKOxx9tTerFi6.jpg","1968-10-28",6.8,64,{"adult":8,"backdrop_path":10,"genre_ids":205,"id":206,"title":207,"original_language":85,"original_title":207,"overview":16,"popularity":208,"poster_path":209,"release_date":210,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[74,14],1611800,"Memorial",1.5173,"\u002F19TwxfZaw5LfWxiH5Ayt6z2Pyoc.jpg","2026-01-07",{"adult":8,"backdrop_path":212,"genre_ids":213,"id":214,"title":215,"original_language":216,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":8,"video":8,"vote_average":222,"vote_count":101},"\u002Fql1g3tJv0JbYm07nCtYFMAir9ij.jpg",[14],1427520,"No God No Father","fr","Ni Dieu ni père","The film explores a young man's intimate relationship with the Internet. While the absence of a father figure has left him searching for answers, he finds an unexpected mentor in Google. From learning everyday tasks like shaving to discovering deeper knowledge, the algorithm becomes much more than a simple search engine, blurring the boundaries between real and virtual.",0.7591,"\u002F2ju0KUdHQ5jcQVnwn19TKNoYOoM.jpg","2025-02-01",6.833,{"adult":8,"backdrop_path":10,"genre_ids":224,"id":225,"title":226,"original_language":96,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],487246,"Like Shadows Growing as the Sun Goes Down","Como crece la sombra cuando el sol declina","Medellin. Tireless car traffic. In the margins of a society launched at top speed, some lurking engines shutdown to make a living; Jugglers at intersections, employees on breaks, whose precise and repetitive work mark the flow of time which is always repeated.",1.1693,"\u002F1vbz8MCLlKebHwh7LSlOk08pnKJ.jpg","2014-01-06",{"adult":8,"backdrop_path":233,"genre_ids":234,"id":235,"title":236,"original_language":237,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":16,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002F4BYQg2ZuL45ZkrQ3wBvfR3qBQPT.jpg",[14],1426895,"Cherveno","bg","Червено","A poetic exploration of heaven and hell, the apocalypse and the afterlife, through the lens of a VHS camera.",1.0533,"\u002Fjp1NNNff81zW2e4SIRoszdESm48.jpg",1001,20001,{"results":245},[],{"page":35,"results":247,"total_pages":472,"total_results":473},[248,261,272,283,294,306,317,328,339,351,362,373,384,395,406,417,428,439,450,461],{"adult":8,"backdrop_path":249,"id":250,"title":251,"original_title":252,"overview":253,"poster_path":254,"media_type":255,"original_language":29,"genre_ids":256,"popularity":257,"release_date":258,"softcore":8,"video":8,"vote_average":259,"vote_count":260},"\u002F8dSbJfSUTIFLSRCPMelKrumasdo.jpg",126278,"Vampir Cuadecuc","Cuadecuc, vampir","An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.","\u002FcDy9lPcqJCblNgceoaz2fnG0qDp.jpg","movie",[14],2.1333,"1972-05-05",6.07,43,{"adult":8,"backdrop_path":262,"id":263,"title":264,"original_title":264,"overview":265,"poster_path":266,"media_type":255,"original_language":29,"genre_ids":267,"popularity":268,"release_date":269,"softcore":8,"video":8,"vote_average":270,"vote_count":271},"\u002F1gXxCGYUDuFlVu31tAtYXXza9It.jpg",940075,"Embrace the Panda: Making Turning Red","A feature length documentary about the all-women team at the helm of Pixar's original feature, Turning Red. With unprecedented behind-the-scenes access to Director Domee Shi and her core leadership crew, this story shines a light on the powerful professional and personal journeys that brought this incredibly comical, utterly relatable, and deeply heartfelt story to the screen.","\u002FociUlULY2vZkenQqwTnwK4aq2Y1.jpg",[14],2.3682,"2022-03-11",6.845,42,{"adult":8,"backdrop_path":273,"id":274,"title":275,"original_title":275,"overview":276,"poster_path":277,"media_type":255,"original_language":29,"genre_ids":278,"popularity":279,"release_date":280,"softcore":8,"video":8,"vote_average":281,"vote_count":282},"\u002Fl1C0dtWshyoIdEeUbNQyX2B9GUG.jpg",39333,"180° South","The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.","\u002FjLvxcvpEbQ1bRETJZ3NlKpjQuLC.jpg",[14],3.4823,"2010-02-10",7.2,58,{"adult":8,"backdrop_path":284,"id":285,"title":286,"original_title":286,"overview":287,"poster_path":288,"media_type":255,"original_language":29,"genre_ids":289,"popularity":290,"release_date":291,"softcore":8,"video":8,"vote_average":292,"vote_count":293},"\u002FxfC6hsmcsnf2MY1iXDs56gJNfQZ.jpg",191720,"Jodorowsky's Dune","In 1974, Chilean-French director Alejandro Jodorowsky embarked on the quixotic project of adapting Frank Herbert's influential novel Dune (1969) for the big screen. After investing two years, and millions of dollars, the gigantic project ended in failure; but the artists Jodorowsky brought together to carry it out continued to work together, and ended up laying the foundations for modern science fiction cinema.","\u002Fmv1zSd6P59D43iYQXs7qx01nSiX.jpg",[14],3.1482,"2013-08-30",7.823,772,{"adult":8,"backdrop_path":295,"id":296,"title":297,"original_title":297,"overview":298,"poster_path":299,"media_type":255,"original_language":29,"genre_ids":300,"popularity":302,"release_date":303,"softcore":8,"video":8,"vote_average":304,"vote_count":305},"\u002F84E96lyR81OvUjCimcrfuzn9er5.jpg",11314,"Koyaanisqatsi","Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.","\u002F6zCNciRcob8lwuydVXgq0esla8L.jpg",[14,301],10402,2.2943,"1983-04-27",7.879,795,{"adult":8,"backdrop_path":307,"id":308,"title":309,"original_title":309,"overview":310,"poster_path":311,"media_type":255,"original_language":29,"genre_ids":312,"popularity":313,"release_date":314,"softcore":8,"video":8,"vote_average":315,"vote_count":316},"\u002Fkwccaxm4rN5eVVZzkRIkac8Lba9.jpg",376534,"Cameraperson","As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.","\u002Fp1Od99QxnzCB9vKu9uxkZQlPZQ5.jpg",[14],2.444,"2016-09-09",6.726,95,{"adult":8,"backdrop_path":318,"id":319,"title":320,"original_title":320,"overview":321,"poster_path":322,"media_type":255,"original_language":29,"genre_ids":323,"popularity":324,"release_date":325,"softcore":8,"video":8,"vote_average":326,"vote_count":327},"\u002F8Bcm0qBnS6yjwTFad8eI6thzRub.jpg",869250,"Being James Bond","Daniel Craig candidly reflects on his 15 year adventure as James Bond. 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